There was no laugh, or even a smile from her. She gave a little start of
surprise and in a very confused voice murmured:
"Yes, I see."
"My full name is Mr. Ned Dawkins and you're Louisa Dawkins my niece.
Just call me 'Uncle Ned' and leave me to do the talking. We are touring
this beautiful country and I've lost my luggage owing to the derned
foolishness of the railroad officials here. And then when we've had a
little bit of dinner you can tell me, if you like, why you've eloped and
why you've got a down on me. Or if you don't like to, well, you needn't.
Ah, here's the pub at last."
He threw open the door and in a loud and cheerful voice cried:
"Well, here we are, Louisa. Walk right in, my dear!"
XXVIII
THE RETURN
His friends would scarcely have picked out Mr. Ned Cromarty of
Stanesland as likely to make a distinguished actor, but they might have
changed their opinion had they heard him breezily announce himself as
Mr. Dawkins from Liverpool and curse the Scottish railways which had
lost his luggage for him. It is true that the landlord looked at him a
trifle askance and that the landlady and her maid exchanged a knowing
smile when he ordered a room for his niece Louisa, but few people shut
up in a little country inn with such a formidable looking, loud voiced
giant, would have ventured to question his statements openly, and the
equanimity of Mr. Dawkins remained undisturbed.
"Sit right down, Louisa!" he commanded when dinner was served; and then,
addressing the maid, "You needn't wait. We'll ring when we need you."
But the moment she had gone he checked a strong expression with an
effort.
"Damn--confound it!" he cried. "I ought to have remembered to say grace!
That would have given just the finishing touch to the Uncle Ned
business. However, I don't think they've smelt any rats."
Cicely smiled faintly and then her eyes fell and she answered nothing.
Their only other conversation during dinner consisted in his
expostulations on her small appetite and her low-voiced protests that
she wasn't hungry. But when it was safely over, he pushed back his
chair, crossed his knees, and began:
"Now, Louisa, I'm going to take an uncle's privilege of lighting my pipe
before I begin to talk, if you don't mind."
He lit his pipe, and then suddenly dropping the role of uncle
altogether, said gently:
"I don't want to press you with any questions that you don't want to
answer, but if you need a friend of any sort, size, or description, here
I am." He paused for a moment and then asked still more gently: "Are you
afraid of me?"
For the first time she let her long-lashed eyes rest full on his face
and in her low voice, she answered:
"Partly afraid."
"And partly what else?"
"Partly puzzled--and partly ashamed."
"Ashamed!" he exclaimed with a note of indignant protest. "Ashamed of
what?"
"The exhibition I've made of myself," she said, her voice still very
low.
"Well," he smiled, "that's a matter of opinion. But why are you afraid?"
Public-domain text, read in full here on John Shaqi.
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