"Wouldn't the management wait if you telephoned, Peter dear?" inquired
Julie sarcastically. "Just say who you are, and they sure will. If the
chorus only knew, they'd go on strike against appearing before you came,
or tear their tights or something dreadful like that, so that they
couldn't come on. Yes, now I am ready. One wee last little drop of the
bubbly--I see it there--and I'll sacrifice coffee for your sake. Give me
a cigarette, though. Thanks. And now my wrap."
She rose, the cigarette in her fingers, smiling at him. Peter hastily
followed, walking on air. He was beginning to realise how often he failed
to understand Julie, and to see how completely she controlled her
apparently more frivolous moods; but he loved her in them. He little
knew, as he followed her out, the tumult of thoughts that raced through
that little head with its wealth of brown hair. He little guessed how
bravely she was already counting the fleeting minutes, how resolutely
keeping grip of herself in the flood which threatened to sweep her--how
gladly!--away.
A good revue must be a pageant of music, colour, scenery, song, dance,
humour, and the impossible. There must be good songs in it, but one does
not go for the songs, any more than one goes to see the working out of a
plot. Strung-up men, forty-eight hours out of the trenches, with every
nerve on edge, must come away with a smile of satisfaction on their
faces, to have a last drink at home and sleep like babies. Women who have
been on nervous tension for months must be able to go there, and allow
their tired senses to drink in the feast of it all, so that they too may
go home and sleep. And in a sense their evening meant all this to Peter
and Julie; but only in a sense.
They both of them bathed in the performance. The possible and impossible
scenes came and went in a bewildering variety, till one had the feeling
that one was asleep and dreaming the incomprehensible jumble of a dream,
and, as in a nice dream, one knew it was absurd, but did not care. The
magnificent, brilliant staging dazzled till one lay back in one's chair
and refused to name the colours to oneself or admire their blending any
more. The chorus-girls trooped on and off till they seemed countless, and
one abandoned any wish to pick the prettiest and follow her through. And
the gay palace of luxury, with its hundreds of splendidly dressed women,
its men in uniform, its height and width and gold and painting, and its
great arching roof, where, high above, the stirring of human hearts still
went on, took to itself an atmosphere and became sentient with humanity.
Julie and Peter were both emotional and imaginative, and they were
spellbound till the notes of the National Anthem roused them. Then, with
the commonplaces of departure, they left the place. "It's so near," said
Julie in the crowd outside; "let's walk again."
"The other pavement, then," said Peter, and they crossed. It was cold,
and Julie clung to him, and they walked swiftly.
Public-domain text, read in full here on John Shaqi.
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