Julie settled herself with a sigh of satisfaction to listen and watch.
And they both grew silent as the opera proceeded. At first Julie could
not contain her delight. "Oh, she's perfect, Peter," she exclaimed--"a
little bit of life! Look how she shakes her hair back and how impudent
she is--just like one of those French girls you know too much about! And
she's boiling passion too. And a regular devil. I love her, Peter!"
"She's very like you, Julie," said Peter.
Julie flashed a look at him. "Rubbish!" she said, but was silent.
They watched while Carminetta set herself to win her bet and steal the
heart of the hero from the Governor's daughter. They watched her force
the palace ballroom, and forgot the obvious foolishness of a great deal
of it in the sense of the drama that was being worked out. The whole
house grew still. The English girl, with her beauty, her civilisation,
her rank and place, made her appeal to her fiancé; and the Spanish
bastard dancer, with her daring, her passion, her naked humanity, so
coarse and so intensely human, made her appeal also. And they watched
while the young conventionally-bred officer hesitated; they watched till
Carminetta won.
Julie, leaning forward, held her breath and gazed at the beautiful
fashionable room on the stage, gazed through the open French windows to
the moonlit garden and the night beyond, and gazed, though at last she
could hardly see, at the Spanish girl. That great renunciation held them
both entranced. So bitter-sweet, so humanly divine, the passionate,
heart-broken, heroic song of farewell, swelled and thrilled about them.
And with the last notes the child of the gutter reached up and up till
she made the supreme self-sacrifice, and stepped out of the gay room into
the dark night for the sake of the man she loved too much to love.
Then Julie bowed her head into her hands, and in the silence and darkness
of their box burst into tears. And so, for the first and last time, Peter
heard her really weep.
He said foolish man-things to comfort her. She looked up at last,
smiling, her brown eyes challengingly brave through her tears, "Peter,
forgive me," she said. "I shouldn't be such a damned fool! You never
thought I could be like that, did you? But it was so superbly done,
I couldn't help it. It's all over now--all over, Peter," she added
soberly. "I want to sit in the lounge to-night for a little, if you don't
mind. Could you possibly get a taxi? I don't want to walk."
It was difficult to find one. Finally Peter and another officer
made a bolt simultaneously and each got hold of a door of a car that
was just coming up. Both claimed it, and the chauffeur looked round
good-humouredly at the disputants. "Settle it which-hever way you like,
gents," he said. "Hi don't care, but settle it soon."
"Let's toss," said Peter.
"Right-o," said the other man, and produced a coin.
"Tails," whispered Julie behind Peter, and "Tails!" he called.
Public-domain text, read in full here on John Shaqi.
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