During his first term at St. James’, Michael went on with his study of the art of dancing, begun during the previous winter without much personal satisfaction and with a good deal of self-consciousness. These dancing lessons took place in the hall at Randell’s, and Michael revisited his old school with a new confidence. He found himself promoted to stay beyond the hour of pupilage in order pleasantly to pass away a second hour by dancing formally with the sisters and cousins of other boys. He had often admired last year those select Jacobeans who, buttoning white gloves, stood in a supercilious group, while their juniors clumped through the Ladies’ Chain uninspired by the swish of a single petticoat. Now he was of their sacred number. It was not surprizing that under the influence of the waltz and the Circassian circle and the schottische and the quadrille and the mazurka that Michael should fall in love. He was not anxious to fall in love: many times to other boys he had mocked at woman and dilated upon the folly of matrimony. He had often declared on his way to and from school that celibacy should be the ideal of every man. He used to say how little he could understand the habit of sitting in dark corners and kissing. Even Miss Carthew he grew accustomed to treat almost with rudeness, lest some lynx-eyed friend of his should detect in his relation with her a tendency towards the sentimental. However, Muriel in her salmon-coloured, accordion-pleated frock bowled Michael off his superior pedestal. He persuaded himself that this was indeed one of those unchangeable passions of which he read or rather did read now. This great new emotion was certainly Love, for Michael could honestly affirm that as soon as he saw Muriel sitting on a chair with long black legs outstretched before her, he loved her. No other girl existed, and when he moved towards her for the pleasure of the next dance, he felt his heart beating, his cheeks on fire. Muriel seemed to like him after a fashion. At any rate, she cordially supported him in a project of long-deferred revenge upon Mr. Macrae of the Upper Fourth at Randell’s, and she kept ‘cavé’ while Michael tried the door of his empty class-room off the top gallery of the hall. It was unlocked, and Michael crept in and quickly threw the contents of Mr. Macrae’s desk out of the window and wrote on the blackboard: ‘Mr. Macrae is the silliest ass in England.’ Then he and Muriel walked demurely back to join the tinkling mazurka down below and, though many enquiries were set on foot as to the perpetrator of the outrage, Michael was