Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
“Rot,” said Michael. “Why, she’d be most frightfully annoyed. Besides,
chaps’ uncles don’t get gone on——” Michael was going to add ‘chaps’
sisters’ governesses,’ but somehow he felt the remark was all wrong,
and blushed the conclusion of the sentence.
The weather grew very hot, and Miss Carthew took to sitting in a canvas
chair and reading books on the beach, so that Michael and Merivale were
left free to do very much as they wanted which, as Michael pointed out,
was rather decent of her.
“I say, Merivale,” Michael began one day, as he and his friend, arm in
arm, were examining the credentials of the front on a shimmering
morning, “I say, did you notice that Miss Carthew called you Alan?”
“I know. She often does,” replied Merivale.
“I say, Merivale,” said Michael shyly, “supposing I call you Alan and
you call me Michael—only during the hols, of course,” he added hastily.
“I don’t mind,” Alan agreed.
“Because I suppose there couldn’t be two chaps more friends than you
and me,” speculated Michael.
“I like you more than I do any other chap,” said Alan simply.
“So I do you,” said Michael. “And it’s rather decent just to have one
great friend who you call by his Christian name.”
After this Michael and Alan became very intimate and neither
held a secret from the other, as through the crowds of seaside
folk they threaded their way along the promenade to whatever
band of minstrels had secured their joint
devotion. They greatly preferred the Pierrots to the Niggers,
and very soon by a week’s unbroken attendance at the three
daily sessions, Michael and Alan knew the words and music of
most of the repertory. Of the comic songs they liked best The
Dandy Coloured Coon, although they admired almost equally a
duet whose refrain was:
“We are a couple of barmy chaps, hush, not a word! A little bit loose
in our tiles, perhaps, hush, not a word! We’re lunatics, lunatics,
everybody declares We’re a couple of fellows gone wrong in our bellows,
As mad as a pair of March hares.”
Gradually, however, and more especially under the influence of Japanese
lanterns and a moon-splashed sea, Michael and Alan avowed openly their
fondness for the more serious songs sung by the Pierrettes. The words
of one song in particular were by a reiteration of passionate utterance
deeply printed on their memory:
“Two little girls in blue, lad,
Two little girls in blue,
They were sisters, we were brothers,
And learnt to love the two.
And one little girl in blue, lad,
Who won your father’s heart,
Became your mother: I married the other,
And now we have drifted apart.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account