Stella was already settled in the bosom of the French family when Michael reached Compiègne, and as he drove towards the Pension he began for the first time to wonder what his sister would be like after these two years. He was inclined to suppose that she would be a problem, and he already felt qualms about the behaviour of her projected suddenly like this from Germany into an atmosphere of romance. For Michael, France always stood out as typically romantic to his fancy. Spain and Italy were not within his realization as yet, and Germany he conceived of as a series of towns filled with the noise of piano-scales and hoarse gutturals. He hoped that Stella was not even now plunged into a girlish love-affair with one of the idle young Frenchmen who haunted so amorously the sunshine of this gay land. He even began to rehearse, as his carriage jolted along the cobbled embankment of the Oise, a particularly scathing scene in which he coldly denounced the importunate lover, while Stella stood abashed by fraternal indignation. Then he reflected that after all Stella was only fifteen and, as he remembered her, too much wrapped up in a zest for public appreciation to be very susceptible of private admiration. Moreover, he knew that most of her time was occupied by piano-practice. An emotion of pride in his accomplished sister displaced the pessimism of his first thoughts. He took pleasure in the imagination of her swaying the whole Pension by her miraculous execution, and he began to build up the picture of his entrance upon the last crashing chords of a sonata, when after the applause had ceased he would modestly step forward as the brother of this paragon.