Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
I N the air of the Easter holidays that year there must have
been something unusually amorous even for April, for when
Michael came back to school he found that most of his friends
and contemporaries had been wounded by love’s darts. Alan, to
be sure, returned unscathed, but as he had been resting in the
comparatively cloistral seclusion of Cobble Place, Michael did
not count his whole heart much honour to anything except his
lack of opportunity. Everybody else had come back in possession
of girls; some even had acquired photographs. There was talk of
gloves and handkerchiefs, of flowers and fans, but nobody, as
far as Michael could cautiously ascertain, had thought of soap;
and he congratulated himself upon his relic. Also, apparently,
all his friends in their pursuit of Eastertide nymphs had been
successful, and he began to take credit to himself for being
unlucky. His refusal (to this already had come Kathleen’s
suddenly withdrawn hand) gave him a peculiar interest, and
those of his friends in whom he confided looked at him with
awe, and listened respectfully to his legend of despair.
Beneath the hawthorns on the golden afternoons and lingering topaz eves
of May, Michael would wait for Alan to finish his game of cricket, and
between lazily applauded strokes and catches he would tell the tale of
Kathleen to his fellows:
“I asked her to wait for me. Of course she was older than me. I
said I was ready to marry her when I was twenty-one, but there
was another chap, a decent fellow,
devilish handsome, too. He was frightfully rich, and so she
agreed to elope with him. I helped them no end. I told her
father he simply must not attempt to interfere. But, of
course, I was frightfully cut up—oh, absolutely knocked out.
We’re all of us unlucky in love in our family. My sister was
in love with an Austrian who was killed by an avalanche. I
don’t suppose I shall ever be in love again. They say you
never really fall in love more than once in your life. I feel
a good deal older this term. I suppose I look ... oh, well hit
indeed—run it out, and again, sir, and again ...!”
So Michael would break off the tale of his love, until one of his
listeners would seek to learn more of passion’s frets and fevers.
“But, Bangs, what about the day she eloped? What did you do?”
“I wrote poetry,” Michael would answer.
“Great Scott, that’s a bit of a swat, isn’t it?”
“Yes, it’s a bit difficult,” Michael would agree. “Only, of
course, I only write _vers libre_ . No rhymes or anything.”
Public-domain text, read in full here on John Shaqi.
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