Michael was in no mood himself for talking, and he sat back listening now and then, but mostly dreaming. He thought of the conversation in that long riverside room in Paris with its extravagance and pretentiousness. Here in this time-haunted Holywell Street was neither. To be sure, Christianity and the soul’s immortality and the future of England and contemporary art were running the gauntlet of youth’s examination, but the Academic Muse had shown the company her ægis, had turned everything to unpassionate stone, and softened all presumption with her guarded glances. It was extraordinary how under her guidance every subject was stripped of obtrusive reality, how even women, discussed never so grossly, remained untarnished; since they ceased to be real women, but mere abstractions wanton or chaste in accordance with the demands of wit. The ribaldry was Aristophanic or Rabelaisian with as little power to offend, so much was it consecrated and refined by immemorial usages. Michael wished that all the world could be touched by the magical freedom and equally magical restraint of the Academic Muse, and as he sat here in this ancient room, hoped almost violently that never again would he be compelled to smirch the present clarity and steadiness of his vision. CHAPTER IX THE LESSON OF SPAIN Perhaps Michael enjoyed more than anything else during his accumulation of books the collection of as many various editions of Don Quixote as possible. He had brought up from London the fat volume illustrated by Doré over which he had fallen asleep long ago and of which owing to Nurse’s disapproval he had in consequence been deprived. Half the pages still showed where they had been bent under the weight of his small body: this honorable scar and the familiar musty smell and the book’s unquestionable if slightly vulgar dignity prevented Michael from banishing it from the shelf that now held so many better editions. However much the zest in Doré’s illustrations had died away in the flavor of Skelton’s English, Michael could not abandon the big volume with what it held of childhood’s first intellectual adventure. The shelf of Don Quixotes became in all his room one of the most cherished objects of contemplation. There was something in the “Q” and the “X” repeated on the back of volume after volume that positively gave Michael an impression in literal design of the Knight’s fantastic personality. The very soul of Spain seemed to be symbolized by those sere quartos of the seventeenth century, nor was it imperceptible even in Smollett’s cockney rendering bound in marbled boards. Staring at the row of Don Quixotes on a dull December afternoon, Michael felt overwhelmingly a desire to go to Spain himself, to drink at the source of Cervantes’ mighty stream of imagination which with every year’s new reading seemed to him to hold more and more certainly all that was most vital to life’s appreciation. He no longer failed to see the humor of