Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
“Well, I suppose one must make allowances,” said Grainger. “These
artistic devils are always liable to breaks.”
“That’s right,” said Michael. “Hoist the Union Jack. It’s an
extraordinary thing, the calm way in which an Englishman is always
ready to make art responsible for everything.”
Next day Maurice overtook Michael on the way to a lecture.
“I say,” he began impetuously, “I made an awful fool of myself
yesterday evening. What shall I do?”
“Nothing,” said Michael.
“I was really horribly worried, you know, and I think I rather jumped
at the opportunity to get the beastly business off my chest, as a sort
of joke.”
“Come and dine at the Palace of Delights this evening,” Michael
invited. “And tell Frank Castleton to come.”
“We can’t afford to be critical during the last fortnight of jolly old
Two Hundred and Two,” said Michael to Lonsdale and Grainger, when they
received rather gloomily at first the news of the invitation.
Maurice in the course of the evening managed to reinstate himself. He
so very divertingly drew old Wedders on the subject of going down.
The last week of the summer term arrived, and really it was very
depressing that so many Good Eggs were irrevocably going to be lost to
the St. Mary’s J.C.R.
“I think my terminal dinner this term will have to be the same as my
first one,” said Michael. “Only twice as large.”
So they all came, Cuffe and Sterne and Sinclair and a dozen more. And
just because so many of the guests were going down, not a word was said
about it. The old amiable ragging and rotting went on as if the college
jokes of to-night would serve for another lustrum yet, as if Two
Hundred and Two would merely be empty of these familiar faces for the
short space of a vacation. Not a pipe was gone from its rack; not a
picture was as yet deposed; not a hint was given of change, either by
the material objects of the big room or by the merry and intimate
community that now thronged it. Then the college tenor was called upon
for a song, and perhaps without any intention of melancholy he sang O
Moon of My Delight. Scarcely was it possible even for these Good Eggs,
so rigidly conscious of each other’s rigidity, not to think
sentimentally for a moment how well the turning down of that empty
glass applied to them. The new mood that descended upon the company
expressed itself in reminiscence; and then, as if the sadness must for
decency’s sake be driven out, the college jester was called upon for
the comic song whose hebdomadal recurrence through nine terms had
always provoked the same delirious encore. Everything was going on as
usual, and at a few minutes to midnight Auld Lang Syne ought not to
have been difficult. It had been sung nearly as often as the comic
song, but it was shouted more fervently somehow, less in tune somehow,
and the silence at its close was very acute. Twelve o’clock was
sounding; the guests went hurrying out; and, leaning from the windows
Public-domain text, read in full here on John Shaqi.
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