Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
“Not necessarily abroad. I’m not going to involve myself in a dangerous
undertaking; but I’m just sufficiently tired of my very comfortable
existence to wish to make an experiment. I may be away quite a short
time, but I might want to be away a few months. Will you promise me not
to worry yourself over my movements? Some of the success of this
undertaking will probably depend on a certain amount of freedom. You
can understand, can’t you, that the claims of home, however delightful,
might in certain circumstances be a problem?”
“I suppose you’re taking steps to prepare my mind for something very
extremely unpleasant,” she said.
“Let’s ascribe it all to my incurably romantic temperament,” Michael
suggested.
“And I’m not to worry?”
“No, please don’t.”
“But when are you going away?”
“I’m not really going away at all,” Michael explained. “But if I didn’t
come back to dinner one night or even the next night, would you be
content to know quite positively that I hadn’t been run over?”
“You’re evidently going to be thoroughly eccentric. But I suppose,” she
added wistfully, “that after your deserted childhood I can hardly
expect you to be anything else. Yet it seems so comfortable here.” She
was looking round at the chairs.
“I’m not proposing to go to the North Pole, you know,” Michael said,
“but I don’t want to obey dinner-gongs.”
“Very noisy and abrupt,” she agreed.
Soon they were discussing all kinds of substitutions.
“Mother, what an extraordinary lot you know about noise,” Michael
exclaimed.
“Dearest boy, I’m on the committee of a society for the abatement of
London street noises.”
“So deeply occupied with reform,” he said, patting her hand.
“One must do something,” she smiled.
“I know,” he asserted. “And therefore you’ll let me ride this new
hobby-horse I’m trying without thinking it bucks. Will you?”
“You know perfectly well that you will anyhow,” said Mrs. Fane, shaking
her head.
Michael felt justified in letting the conversation end at this
admission. Maurice Avery had invited him to come round to the studio in
order to assist at Castleton’s induction, and Michael walked along the
Embankment to 422 Grosvenor Road.
The large attic which ran all the width of the Georgian house was in a
state of utter confusion, in the midst of which Castleton was hard at
work hammering, while Maurice climbed over chairs in eager advice, and
at the Bechstein Grand a tall dark young man was playing melodies from
Tchaikovsky’s symphonies.
“Just trying to make this place a bit comfortable,” said Castleton. “Do
you know Cunningham?” He indicated the player, and Michael bowed.
“Making it comfortable,” Michael repeated. “My first impression was
just the reverse. I suppose it’s no good asking you people to give me
lunch?”
“Rather, of course,” Maurice declared. “Castleton, it’s your turn to
buy lunch.”
Public-domain text, read in full here on John Shaqi.
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