Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
“Just the thing, if you’re writing to your young lady,” said Mrs.
Murdoch, offering it to Michael.
He accepted it with many expressions of gratitude, but when he was in
his own room he laughed very much at the idea of sending it to his
mother in Cheyne Walk. However, as he must write and tell her he would
not be home for some time, he decided to go out and buy both writing
materials and unillustrated postcards. When he came back he found Mrs.
Murdoch feathered for the evening’s entertainment. She gave him the
latchkey, and from his window Michael watched her progress down Neptune
Crescent. Just before her lavender dress disappeared behind the
Portugal laurels she turned round and waved to him. He wondered what
his mother would say if she knew from what curious corner of London the
news of his withdrawal would reach her to-night.
The house was very still, and the refulgence of the afternoon light
streaming into the small room fused the raw colors to a fiery
concordancy. Upon the silence sounded presently a birdlike fidgeting,
and Michael going out onto the landing to discover what it was, caught
to his surprise the upward glance of a thin little woman in untidy
pink.
“Hulloa!” she cried. “I never knew there was anybody in—you did give me
a turn. I’ve only just woke up.”
Michael explained the situation, and she seemed relieved.
“I’ve been asleep all the afternoon,” she went on. “But it’s only
natural in this hot weather to go to sleep in the afternoon if you
don’t go out for a walk. Why don’t you come down and talk to me while I
have some tea?”
Michael accepted the invitation with a courtesy which he half suspected
this peaked pink little creature considered diverting.
“You’ll excuse the general untidiness,” she said. “But really in this
weather anyone can’t bother to put their things away properly.”
Michael assented, and looked round at the room. It certainly was
untidy. The large bed was ruffled where she had been lying down, and
the soiled copy of a novelette gave it a sort of stale slovenry. Over
the foot hung an accumulation of pink clothes. On the chairs, too,
there were clothes pink and white, and the door bulged with numberless
skirts. Miss Carlyle herself wore a pink blouse whose front had escaped
the constriction of a belt. Even her face was a flat unshaded pink, and
her thin lips would scarcely have showed save that the powder round the
edges was slightly caked. Yet there was nothing of pink’s freshness and
pleasant crudity in the general effect. It was a tired, a frowsy pink
like a fondant that has lain a long while in a confectioner’s window.
“Take a chair and make yourself at home,” she invited him. “What’s your
name?”
He told her “Fane.”
“You silly thing, you don’t suppose I’m going to call you Mr. Fane, do
you? What’s your other name? Michael? That’s Irish, isn’t it? I used to
know a fellow once called Micky Sullivan. I suppose they call you Micky
at home.”
Public-domain text, read in full here on John Shaqi.
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