Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
“I wouldn’t mind having lodgings here,” said Barnes. He had caught
sight of a square of cardboard at the farther end of the street. This
was the outpost of an array of apartment cards, for the next street was
full of them. The next street was evidently a little nearer to the
period of final dilapidation; but Michael fancied that, in comparison
with the middle-aged respectableness of Clapperton Street, this older
and now very swiftly decaying warren of second-rate apartments was
almost attractive. Street followed street, each one, as they drew
nearer to Victoria Station, being a little more raffish than its
predecessor, each one being a little less able to resist the corrosion
of a persistently inquinating migration. Sometimes, and with a sharp
effect of contrast, occurred prosperous squares; but even these, with
their houses so uniformly tall and ocherous, delivered a presage of
irremediable decadency.
Suddenly the long ranks of houses, which were beginning to seem
endless, vanished upon the margin of a lake of railway lines. Just
before the hansom would have mounted the slope of an arcuated bridge,
it swung to the right into Leppard Street, S.W. The beginning of the
street ran between two high brown walls crowned with a ruching of
broken glass: these guarded on one side the escarp of the railway, on
the other a coal yard. At the farther end the street swept round to an
exit between two rows of squalid dwellings called Greenarbor Court, an
exit, however, that was barred to vehicles by a row of blistered posts.
Some fifty yards before this the wall deviated to form a recess in
which five very tall houses rose gauntly against the sky from the very
edge of the embankment. Standing as they did upon a sort of bluff and
flanked on either side by blind walls, these habitations gave an
impression of quite exceptional height. This was emphasized by the
narrow oblong windows of which there may have been nearly fifty. The
houses were built of the same brick as the walls, and they had deepened
from yellow to the same fuscous hue. This promontory seemed to serve as
an appendix for the draff of the neighborhood’s rubbish. The ribs of an
umbrella; a child’s boot; a broken sieve; rags of faded color, lay here
in the gutter undisturbed, the jetsam of a deserted beach.
“Here we are,” said Barnes. “Here’s Leppard Street that you’ve been so
anxious to see.”
“It looks rather exciting,” Michael commented.
“Oh, it’s the last act of a Drury Lane melodrama I don’t think.
Exciting?” Barnes repeated. “You know, Fane, there’s something wrong
with you. If you think this is exciting, you’d go raving mad when I
showed you some of the places where I’ve lived. Well, here we are,
anyhow. Number One—the corner house.”
Public-domain text, read in full here on John Shaqi.
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