Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
Michael as he saw the crude pink sheets of Crime Illustrated strewn
about the room was not surprised that Daisy should often get nervous
when left alone. These horrors in which fashion-plates with mangled
throats lay weltering in pools of blood could scarcely conduce to a
placid loneliness, and Michael knew that she probably spent a great
deal of every day in solitude. Her life with Crime Illustrated to
fright her fancy must always be haunted by presentiments of dread at
the sound of a key in the latch. It was curious, this half childlike
existence of the underworld always upon the boundaries of fear. Michael
could see the villainous paper used for every kind of domestic
service—to wrap up a piece of raw meat, to contain the scraps for the
cat’s dinner, and spread half over the kitchen table as a cloth whereon
the disks of grease lay like great thunder-drops. It would be very
natural, when the eyes never rested from these views of sordid
violence, to expect evil everywhere. Himself, as he sat here, was
already half inclined to accept the underworld’s preoccupation with
crime as a truer judgment of human nature than was held by a
sentimental civilization, and he began to wonder whether a good deal of
his own privacy had not been spent in a fool’s paradise of security.
The moated grange and the dark tower were harmless rococo terrors
beside the maleficent commonplace of Agnes House.
“The kitchen’s in a rare old mess, isn’t it?” said Daisy looking round
her. “It gives Bert the rats to see it like this.”
“Are you fond of him?” Michael asked. He was anxious to display his
friendly interest.
“Oh, he’s all right. But I wouldn’t ever get fond of _any_body. It
doesn’t pay with men. The more you give them, the more they think they
can do as they like with you.”
“I don’t understand why you live with him, if he’s nothing better than
all right,” said Michael.
“Well, I’m used to him, and he’s not always in the way like some
fellows are.”
Michael would have liked to ask her about the beginning of her life as
it was now conducted. Daisy was so essentially of the streets that it
was impossible to suppose she had ever known a period of innocency. Her
ancestry seemed to go back to the doxies of the eighteenth century, and
beyond them to Alsatian queens, and yet farther to the tavern wenches
of François Villon and the Chronique Scandaleuse. There was nothing
pathetic about her; he could not imagine her ever in a position to be
wronged by a man. She was in very fact the gay woman who was bred first
from some primordial heedlessness unchronicled. She would be a hard
subject for chivalrous treatment, so deeply would she inevitably
despise it. Nevertheless, he wanted to try to bring home to her the
quality of the feeling she had inspired in him. He was anxious to prove
to her the reality of a friendliness untainted by any thought of the
relation in which she might justifiably think he would prefer to stand.
Public-domain text, read in full here on John Shaqi.
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