Sink or swim? : $b a novel; vol. 1/3Houstoun, Mrs. (Matilda Charlotte)
General
Sink or swim? : $b a novel; vol. 1/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
It would be hard to say whether gratified maternal pride or a perhaps
natural jealousy was uppermost in Mrs. Beacham’s mind when she saw from
her parlour window the uproarious advent of her belongings. It was
delightful to think how popular John was,--for what but the respect and
affection in which he was universally held could, in her opinion,
account for the great amount of bodily exertion attendant on dragging a
heavy carriage a mile and upwards to the very door of the Paddocks? It
was pleasant also to reflect that she was the mother of one whom the
world delighted to honour; but with that reflection came the alloying
thought that another, _id est_, the “Irish gel” sitting
complacently--for so Mrs. Beacham pictured her--by the side of the
infatuated John, was to come in for far more than her merited share of
popular attention.
The house from which the stern old lady watched the return of her son
from his first lengthened absence was a long, rambling, one-storied
abode, built of brick whose hue was mellowed by age, and with its south
front covered almost to the roof with two centenarian pear-trees, the
fruit of which was renowned for its size and flavour throughout the
whole country-side, and to which, moreover, was owing the name of
“Pear-tree House,” that had, time out of mind, been the appropriate
designation of John Beacham’s home. From the elevated site of that home,
those within, who chanced to be gazing from the south windows, could
obtain an excellent view of what was passing in the Paddocks outside.
They could trace the well-kept private road winding through the bright
green meadows, which were portioned off from each other by shade-giving
hedgerows, and dotted with white freshly-painted gates. Many a time had
Mrs. Beacham, knitting in hand--she could make a stocking blindfold, as
the good woman had been heard to boast--sat at the window of the small
low-roofed parlour (the parlour with the heavy beams across the ceiling,
which she never would allow to be modernised and made smooth), watching
the coming of her son--listening for the sound of his well-hung
dog-cart, or the swift footsteps of the weight-carrying thoroughbred
bearing his owner home, after a hard day’s exercise, to his evening
meal.
The news that “the master” was on the road, that the Wild Woman had been
left behind at Switcham, and that the carriage was being _drawed_ home
by the boys from the village, was not long in reaching Pear-tree House.
It was through the means of Letty the parlour-maid, a young woman given
to holding evening converse with smart serving-men over out-of-sight
palings, that the intelligence arrived at Mrs. Beacham’s expectant ears.
Public-domain text, read in full here on John Shaqi.
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