Sink or swim? : $b a novel; vol. 2/3Houstoun, Mrs. (Matilda Charlotte)
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Sink or swim? : $b a novel; vol. 2/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
A bright happy smile lighted up her face as Arthur, kissing her forehead
lightly, said a few farewell words. Nor did the look of placid
contentment fade away even after the music of his foot upon the stair
had ceased to echo in her ears; for the young wife was wonderfully
happy--as happy, perhaps, as it is ever given to mortal woman here below
to feel. Assured of her husband’s affection, and adoring him with all
the force of her warm young heart; with not a wish ungratified, and
endowed with health and spirits to enjoy the good gifts that were with
such a lavish hand bestowed upon her; blest with a kind father’s doting
tenderness, and dreaming as she lay on her luxuriant couch of the “prime
of bliss” in a few weeks to be accorded to her prayers, who can wonder
that Arthur Vavasour’s wife was one of the happiest of her sex?
And he, the man who was so seldom absent from her thoughts, the husband,
to obey whose slightest wish was felt by the unselfish Sophy to be a
blessed privilege which all must envy her, did he, as he strode forth
hastily, for he had an appointment and was late, feel no remorseful pang
for wandering thoughts, and dreams on joys forbidden? I fear that to
this query I must answer in the negative. It is not in the earliest
stages of our cherished sins that the avenging demon of unavailing
regret rises up before us, and embitters joys that else were sweet. Sin,
the very wickedness that is destined to be our ruin and shame, assumes
at the beginning such very fair and false proportions. In early sunlight
the shadows are so short, the path before so bright, the glare so
dazzling and the day so long. It is when the shadows lengthen, and the
night approaches, when the sin which in the distance looked so unlike
crime stands revealed a hideous skeleton, bereft of all its false
adornments, in our walk by day and in our couch by night, that we look
back to the past with misery and vain remorse, asking ourselves the
bitter, futile question whether the gain is worthy of the cost, while
like withered leaves in the sad autumn time,
“The hopes of our youth fall thick in the blast,
And the days are dark and dreary.”
Public-domain text, read in full here on John Shaqi.
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