Sir Christopher: A Romance of a Maryland Manor in 1644Goodwin, Maud Wilder
History
Sir Christopher: A Romance of a Maryland Manor in 1644
Goodwin, Maud Wilder
Maryland -- History -- Colonial period, ca. 1600-1775 -- Fiction
At last the march began,--Sir William and Mistress Huntoon leading, the
master of the house following with Lady Berkeley; and when Romney held
out his hand to Peggy, she was glad to be alive. As she looked down at
her gown she experienced that satisfaction which the young knights of
old knew in donning their maiden armor, for is not dress the armor of
the social battle?
Never in her short life of eighteen years had Peggy Neville looked
as lovely as she did to-night. Never had her eyes been so bright,
never her cheeks so red, never had Romney felt himself so helplessly
her slave, and, alas! the poor boy thought, never had she looked so
indifferently upon him.
It would not perhaps have encouraged the lad to know that instead of
thinking of him with indifference, she simply was not thinking of him
at all, her entire attention being fixed upon the scene around her and
the actors in it. Such beautiful girls, in their jewels and laces and
brocades and high-heeled slippers! Such magnificent men, with rainbow
colors in sashes and velvet coats, with ruffles of costly embroideries
and buckles reflecting the light of the candles! Most gorgeous of all,
Sir William Berkeley!
It quite took Peggy's breath away when this elegant courtier bowed
before her and begged her hand for the pavan. Yet there he was,
sweeping the floor before her with the white plumes of his hat and
craving the honor of the dance. Whatever might be thought of Sir
William's powers of governing, there could be no doubt that he
understood the art of dancing, and, final test of skill, of making his
partner dance well. Holding the tips of Peggy's fingers lightly, but
firmly, he led her to the head of the hall, where the host and hostess
stood. These they saluted gravely, she with a deep courtesy, he with an
equally deep bow, his hat clasped to his heart. Then sweeping down the
room they paused again before the portrait of the King, and Berkeley
saluted with his sword; then on again, the hautboys keeping time while
the company marked the rhythm by singing together, after the fashion
introduced by Queen Henrietta's French courtiers--
[Illustration (music):
Bel - le qui tiens ma - vie - e cap - ti - ve
dans tes yeux, Qui m'as l'â - me ra - vi - e d'un
sou - rire gra - ci - eux, Viens tôt me se - cou
rir ou me faud - ra mou - rir.
]
At the end of the measure, the advance being ended, the retreat began,
the Governor walking behind and leading his partner backward, always
with delicately held finger-tips, the raised arm and rounded wrist
showing every graceful curve as the girl walked.
"Where did she learn it," wondered Romney, "and she never at Court?"
Public-domain text, read in full here on John Shaqi.
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