Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.Phillimore, Lucy
History
Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.
Phillimore, Lucy
Great Britain -- History -- Stuarts, 1603-1714 -- Biography; Wren family; Wren, Christopher, Sir, 1632-1723
S. Bartholomew's, Bartholomew Lane, near the Exchange, had been consumed
all but its old square tower, which must have been a striking object
standing up tall and fire-scathed amongst the ruins. To this tower Wren
added a sort of crown of open arches, but he carefully preserved the
tower, itself a curious relic of London before the fire. Internally it
was a handsome basilican church, effective from the good keeping and
harmony of all its parts. Its date of consecration went back to the
beginning of the fourteenth century. Bishop Miles Coverdale[163] was
buried there. Alas! that all must be written in the past tense! The
church has been destroyed because its site was wanted for the Sun Fire
Office! It is a cruel fate, having been rebuilt after the Great Fire to
be destroyed for a Fire Insurance Office.
S. Michael's, Bassishaw, or Basinghall, taking this name from the great
merchant family of Basing, several of whom were sheriffs, and others
lord mayors of London, was rebuilt of brick and stone with a curious
little stone spire.
[_LONDON STONE._]
S. Swithin's in Cannon Street is reckoned a model of excellence in
construction; it is of stone with a tower and spire, and domed roof; the
curious relic known as 'London Stone,' is built into the church wall; it
was formerly fixed in the ground in the street. Many different opinions
have been advanced about it--that it was the centre of the City, which
however it was not, being too near the river; that it was a place for
tendering money before the Exchange existed; and, most prosaic of all,
that it was set up by one named London Stone who lived there![164] All
agreed that it had been there since the time of the Saxon kings.
S. Bride's, Fleet Street, was begun in this year, but not entirely
finished until twenty years later; on it Wren lavished considerable
care and skill, securing a spacious handsome interior, and a richly
carved oak altar-piece. The bold tower and steeple,[165] with its
graceful diminishing circles with their open arcades, are thought to
rival S. Mary's, Bow, but the latter is perhaps the more poetical of the
two.
Public-domain text, read in full here on John Shaqi.
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