Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.Phillimore, Lucy
History
Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.
Phillimore, Lucy
Great Britain -- History -- Stuarts, 1603-1714 -- Biography; Wren family; Wren, Christopher, Sir, 1632-1723
Again, there was Verrio the painter's account for work done at Whitehall
and Windsor to be examined. For the chapel at Whitehall Verrio demanded
1,250_l._, and, says Wren, 'I suppose when the rest of the ceiling and
walls are finished, as they ought to be, it may fully deserve it.' The
whole bill was 2,050_l._, of which Verrio had received already more than
1,400_l._, so that he may be reckoned as fortunate.
It is not wonderful that in 1686, Wren attended no meeting of the
Society. Two churches were finished this year: S. Clement's, East Cheap,
and S. Mary's, Abchurch, in Cannon Street.
S. Clement's, with its square tower and balustrade, has within a great
deal of fine oak carving, and its ceiling adorned with one great circle
with an outer line of curious fretwork. Bishop Pearson was rector before
the Fire, and the famous treatise on the Nicene Creed is dedicated to
his parishioners there.
S. Mary's, with its quaint little round windows and flat-topped roof, is
not externally beautiful, but within it is one of the gems which Wren
bestowed on out-of-the-way nooks: its cupola[196] is gracefully
supported on eight arches and pendentives, the east end is rich with
Gibbons' carving of festoons of fruit, palm leaves and a pelican in her
piety. Much handsome work has also been bestowed on the inside
doorcases.
[_CARVERS IN WOOD._]
Wren's promise to Evelyn to employ Gibbons was certainly redeemed; for,
besides the works which have been glanced at, Gibbons was busied on the
stalls of S. Paul's choir, where, darkened but uninjured by time, his
work stands out in all the peculiar grace and tenderness which his
chisel could give to wood. The angels which cluster beneath the great
organ seem themselves to be taking part in the music which flows from
it, and are as unlike as possible to the lumps of marble or wood with
which other hands too often deform a church, and which the old
guide-books term 'Cupids'!
Still, it is a physical impossibility that all the work which bears
Gibbons' name is by him and him only.
[_MAKING A FORTUNE._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account