Alderman's Court, Guildhall. | Middle Temple, front of. Archbishop Tenison's Library. | Monument, the. Ashmolean Museum. | Monument { to Edward V. & Bohun's Almshouses, Lee. | { Richard, Duke of York Bushey Park, { Pavilion. | { Ranger's house at.| Observatory, Greenwich. Chapter House, S. Paul's. | * Royal Exchange, London. * Custom House, Port of London. | Sheldonian Theatre, Oxford. Deanery, St. Paul's, London. | Temple Bar. Hospitals, { Chelsea College. | Theatre Royal, Drury Lane. { Greenwich. | Theatre in Salisbury Court. London, City of. | Tower of London. Merchant Taylors' Almhouses, | Windsor, Town Hall. London. _Private Houses._ Allaston's, Lord, London. | Fawley Court, Oxon. Bloomsbury, two in. | Marlborough's, Duchess of, London. Buckingham's, Duchess of, | Oxford's, Earl of, London. London. | Sunderland's, Lord, London. Chichester, two at. | Windsor, two at. Cooper's, Madam, London. This list, which is, I fear, imperfect, only professes to give such buildings as were actually built or repaired; there are, besides, a large number of unexecuted designs. * Signifies that the building has been destroyed. APPENDIX III. Sir Christopher Wren left the rough drafts of four tracts on architecture, which are printed in the 'Parentalia,' and a few notes on Roman and Greek buildings, some of which Mr. Elmes transcribed in his 'Life;' they are for the most part very technical and are incomplete. The copy of the 'Parentalia' now in my hands contains the autograph draft of a Discourse on Architecture, which, as I think, has never been printed; it appears to me to be of great interest. It is therefore given entire, though I regret I cannot give the quaint prints of Noah's Ark, the Tower of Babel, Babylon, &c., with which the original is illustrated. The two former prints tally so exactly with the descriptions in the 'Discourse'--the print of the ark containing a small section, an elevation, and a vignette of a man feeding one of the creatures, besides a large drawing of the floating Ark--that I incline to think they were engraved, either by Wren himself, or from his drawings. Engraving was an art he well understood. He divides with Prince Rupert the honour of the invention of mezzo-tint. The prints are numbered Pl. IV. and V. respectively, and have no signature. _Discourse on Architecture._