Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.Phillimore, Lucy
History
Sir Christopher Wren: His Family and His Times: With Original Letters and a Discourse on Architecture Hitherto Unpublished. 1585-1723.
Phillimore, Lucy
Great Britain -- History -- Stuarts, 1603-1714 -- Biography; Wren family; Wren, Christopher, Sir, 1632-1723
Thus Joseph lay'd up for seven years, and sur'ly He was not first: this
Provision being ever so essentially necessary to support the Popularity
and consequently the Grandure of the Kingdom; and continued so in all
Ages, till the Turks neglected all the upper Canales except one which
still suppli'd Alexandria. Now what was the consequence? It was not for
the Health of the Common People nor Policy of the Government for them to
be fed in Idleness: great Multitudes were therefore imploy'd in that
which requir'd no great Skill, the Sawing of Stone Square to a few
different scantlings, nor was there any need of Scaffolding or Engines,
for hands only would raise them from step to step: a little teaching
serv'd to make them set Line: and thus these great Works in which some
Thousands of hands might be imploy'd at once, rose with Expedition: the
difficulty was in mustering the men to move in order under proper
Officers, and probably with Musick, as Amphion is said much about the
same Age to have built the walls of Thebes with his Harp; that is Musick
made the Workmen move exactly together without which no great weight can
be moved, as Seamen know, for the Sheet Anchor will by no means be moved
without a fiddle to make men exert their United force in equal time:
otherwise they pull one against another and lose great part of their
force.
The next observable Monument of great Antiquity which yet remain is the
Pillar of Absolom.
By the description given of it, and what I have learnt from Travellers
who have seen it, we must allow it to be very Remarkable though not
great.
It is compos'd of seven Pillars six about in a Hexagon, and one in the
middle and the Tholus solid, a large Architrave, Frize and Cornice lie
upon the Pillars which are larger in proportion to their height then
what we now allow to the Tuscan order, so likewise is the Entablature
larger.
This whole composition though at least 30 foot high, is all of the one
Stone, both Basis, Pillars and Tholus cut as it stood out of the
adjacent Cliff of white Marble.
I could wish some skilful Artist would give us the exact dimensions to
inches, by which we might have an idea of the Antient Tyrian manner;
for it was probable Solomon by his correspondence with King Hiram
employ'd the Tyrian Artists, in his Temple; and from the Phoenicians I
derive as well the Arts as the Letters, of the Graecians, thô it may be,
the Tyrians were Imitators of the Babylonians, and they of the
Egyptians. Great Monarchs are ambitious to leave great Monuments behind
them, and this occasions great Inventions and Mechanick Arts.
What the Architecture was that Solomon used we know little of, though
Holy Writ hath given us the general dimensions of the Temple, by which
we may in some manner collect the Plan but not of all the Courts.
Public-domain text, read in full here on John Shaqi.
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