[20] The “H.” is always understood as indicating an Honorary Exhibitor, in which capacity the young artist is thrice represented in the catalogue of this the Academy Exhibition for 1815. See below. “Queen Anne Street East” had become “Foley Street” between 1802 and 1815. Landseer, as his sisters tell me, was accepted as an “Honorary Exhibitor” on account of his youth, which was supposed to preclude him from being considered an artist in full. [21] See “Autobiographical Recollections of the late C. R. Leslie, R.A.” 1860, vol. ii. p. 44. [22] At the Academy Exhibition, Winter, 1874, No. 144. was “Sir E. Landseer when a Boy.” Drawn by J. Hayter, Esq. Pencil, J. Hayter, Esq. [23] There appear to be doubts of the extent of E. Landseer’s obligations to Haydon, and the terms employed by the former on this subject (see his “Correspondence,” 1876, ii., p. 288) affirm that the writer had been serviceable to Landseer in making him known, rather than by direct teaching:--“I lent him my dissections from the lion, which he copied, and when he began to show real powers, I took a portfolio of his drawings to Sir George Beaumont’s one day at a grand dinner, and showed them all round to the nobility when we retired to coffee. When he painted his “Dogs,” I wrote to Sir George and advised him to buy it.” “In short, I was altogether the means of bringing him so early into notice. These things may be trifles, but when I see a youth strutting about and denying his obligations to me, I may as well note them down.” “His genius was guided by me.” Again, p. 318 of the same volume, Haydon averred:--“My influence upon English art has certainly been radical. Edwin Landseer dissected animals under my eye, copied my anatomical drawings, and carried my principles of study into animal painting. His genius, thus tutored, has produced sound and satisfactory results.” P. 472 of the same repeats the same claims, and discriminates between the degree of instruction said to have been given to the Landseers generally:--“This was the principle I explained to my pupils; to Eastlake first, and to the Landseers and others afterwards. To Edwin I lent my anatomical studies of the Lion, which guided him to depict dogs and monkeys. Charles and Thomas, Bewick, Harvey, Prentice, Lance, were all instructed in the same principle.” We may add that Mrs. Mackenzie (born Landseer) still owns a human skeleton which was prepared and articulated by her brothers, Thomas and Charles, who occupied a studio at Blenheim Steps, Oxford Street, where they dissected a “subject.”