If you had asked Maxwell's opinion on the point, he would have told you
that Ancoats's bringing up had a good deal to do with the present
anxieties of Ancoats's mother. He--Maxwell--had done his best, but he had
been overmatched.
First and foremost, Ancoats had been to no public school. It was not the
custom of the family; and Mrs. Allison could not be induced to break the
tradition. There was accordingly a succession of tutors, whose
Church-principles at least were sound. And Ancoats showed himself for a
time an impressionable, mystical boy, entirely in sympathy with his
mother. His confirmation was a great family emotion, and when he was
seventeen Mrs. Allison had difficulty in making him take food enough in
Lent to keep him in health. Maxwell was beginning to wonder where it
would end, when the lad was sent to Cambridge, and the transformation
scene that might always perhaps have been expected, began.
He had been two years at Trinity when he went to pay the Maxwells a
visit at the Court. Maxwell could hardly believe his eyes or ears. The
boy who at nineteen was an authority on church music and ancient "uses,"
by twenty-one talked and thought of nothing in heaven or earth but the
stage and French _bric-a-brac._ His conversation swarmed with the names
of actors, singers, and dancers; but they were names that meant nothing
except to the initiated. They were the small people of the small
theatres; and Ancoats was a Triton among them, not at all, so he
carefully informed his kindred, because of his wealth and title, but
because he too was an artist, and could sing, revel, write, and dance
with the best of them.
For some time Maxwell was able to console Mrs. Allison with the
historical reflection that more than one son of the Oxford Movement had
found in a passion for the stage a ready means of annoying the English
Puritan. When it came, however, to the young man's producing risky plays
of his own composing at extremely costly _matinees_, there was nothing
for it but to interfere. Maxwell at last persuaded him to give up the
farce of Cambridge and go abroad. But Ancoats would only go with a man of
his own sort; and their time was mostly spent in Paris, where Ancoats
divided his hard-spent existence between the furious pursuit of Louis
Quinze _bibelots_ and the patronage of two or three minor theatres. To be
the king of a first night, raining applause and bouquets from his
stage-box, seemed to give him infinite content; but his vanity was hardly
less flattered by the compliments say of M. Tournonville, the well-known
dealer on the Quai Voltaire, who would bow himself before the young
Englishman with the admiring cry, "Mon Dieu! milord, que vous etes fin
connoisseur!" while the dealer's assistant grinned among the shadows of
the back-shop.
Public-domain text, read in full here on John Shaqi.
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