Country life -- England -- Fiction; England -- Social life and customs -- Fiction
"I shouldn’t let anything you told me go any further," Wilbraham said.
Bastian did not seem to have heard this. He was looking down with a
frown of concentrated purpose. To unburden himself was evidently
imperative on him for the moment, and he was collecting his faculties to
that end.
"I don’t want to give you a false impression," he said. "My wife was a
woman in a thousand. Never did I have one moment’s regret that I had
married her. I think, if she’d lived, she might have made a man of me
still. Perhaps it was a fluke—I don’t want to make myself out better
than I was, and I was a rotten young fool in those days—perhaps it was a
fluke that she was what she was, because it was only her beauty that I
fell in love with, and I hadn’t the sense then to see what there was
behind it. But what I do say is that my people ought to have seen.
I’ll never forgive them for that, and I’ll never let Viola have anything
to do with them. She doesn’t even know their name, and——"
"I don’t quite understand," said Wilbraham, as he seemed to be off on
another gallop. "Why did your people object to your marrying?"
"Oh, well of course it was a fool’s trick. I wasn’t even of age, and
she was a girl off the stage, but one of the sweetest, kindest girls
that ever stepped. I only had her for a few years, but I tell you I’m
in love with her memory still. She’s been dead seventeen years and I
miss her as much as ever. Life’s nothing to me, though I’m not old yet;
I buried it all in her grave."
It was curious, thought Wilbraham, that there should be a story here not
dissimilar from the one that he had lived with for about the same length
of time. But the girl whose father had made the same mistake as Harry’s
had not been shielded from its consequences as he had. She was hardly
likely to have escaped the contamination of the rougher, harder world to
which her father had descended. Wilbraham attributed Bastian’s praise
of his wife largely to the diffuse sentiment of the moment. He had not
otherwise created the impression of a man living upon a life-long
regret. His daughter, if she was the close companion of his poverty and
the witness of his habits, could hardly be the rare and delicate flower
that he painted her, though she was probably beautiful. At any rate it
would be just as well to preserve Harry from contact with her. It would
be an ironic stroke of fate if in this remote corner in which he had
been brought up the glamour of the stage should obtrude itself once
more.
"Is your daughter on the stage?" he asked outright, at this point in his
reflections.
Public-domain text, read in full here on John Shaqi.
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