Country life -- England -- Fiction; England -- Social life and customs -- Fiction
"My name is Viola Bastian. My father called me that out of a beautiful
poem. He is an artist, but nobody buys his pictures, so he paints
scenery at a theatre. We are very poor."
It didn’t seem odd to Harry that this beautiful girl, whose speech was
refined and whose clothes were such as a sister or cousin of his own
might have worn, should be the daughter of a scene painter, who was also
very poor. Nor did he blench in the least at a further statement, which
explained, at least, the clothes. "I have to work and help father. He
didn’t want me to go on the stage, and I should have hated it, too. I
am with a dressmaker in Dover Street—Nadine. She makes things chiefly
for quite young girls. I have to show them off. It is hard work in the
season, but I get a good long holiday, and if father can get away too,
and we have enough money, we go into the country for part of it. That
is why we are here now."
It was all very interesting, as anything she might have told him about
herself would have been interesting. He knew nothing of states of life
other than those which were immediately around him; he accepted
everything she told him as quite natural to her, though he thought it a
pity that she should have to work so hard and could not live in the
country, as he did, since she loved it. She was what he saw and heard
her to be, and what she did and where she lived was quite unimportant,
except as she might feel them to be important.
But how did she come to be what she was under such conditions of
parentage and environment? If it did not occur to Harry in his
all-embracing ignorance to ask himself that question, it might very well
have been asked by others with more experience of life than his. She
was as frank in her address as he was, showed no sense of the social
difference between them in any _mauvaise honte_ or explanatory
questions. It must have made itself plain to a listener that she was
indeed a rare flower of unsullied girlhood, as innocent in essence as
Harry himself, who had been kept from contact with the world outside his
castle of romance, since she had lived at its crowded centre and
remained unspotted by it.
Public-domain text, read in full here on John Shaqi.
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