Country life -- England -- Fiction; England -- Social life and customs -- Fiction
Yet this man, who lived his monotonous life with books as his chief
recreation and his intercourse with his fellows narrowed to the few with
whom he lived, was very fond of company. His walk this afternoon,
longer than he usually imposed upon himself in the heat of summer, was
cheered by having an object other than that of keeping his liver from
troubling him. He was going to make a new acquaintance. This artist,
with the rather absurd name, who was lodging with Mrs. Ivimey, might
possibly be a man of intelligence, with views upon the art he practised;
or he might be a mere commercial dauber. If he proved to be a man of
intelligence, it would be agreeable to exchange views with him, for
after books Wilbraham liked pictures, better even than he liked music.
Or rather, his taste for music had become a little atrophied, since he
was cut off from enjoyment of it, while art could always be read about,
and there were always pictures or reproductions of pictures to be seen.
He reached the cottage on the outskirts of the wood, and looked about
him with pleasure before he entered it. The great open space upon which
it faced was a refreshment after the wooded environment of the Castle,
and the few buildings that enlivened this point relieved it of the
impression of loneliness which was unpleasing to a man of Wilbraham’s
fibre. It was half a mile further by the path he had taken than by the
one he usually took if his humour led him towards the common, but he
thought as he stood there with his hat off, so that the breeze could
cool his brow, that he would come there more often, even if Mr. Bastian
should not turn out to be the sort of person that he might want to come
for.
A well-satisfied gentleman he looked as he stood there leaning on his
stick, his brow rather bald, his presence on the verge of portliness,
though he was not otherwise of the habit of body that runs to flesh.
The look of discontent that Grant had remarked about him on a first
acquaintance was absent now. In his suit of dark grey flannel, with his
black-ribboned straw hat, he had something of a clerical air, and as he
turned towards the cottage his unusually sharp ears heard the sound of
hurried movement through the open window of a downstairs room, and a
voice uttering the words: "The parson come to call! Good Lord, I’m
lost; I can’t get out."
He stood chuckling to himself as he waited for an answer to his knock.
The door stood open. The artist could not have escaped him if his fears
had been justified. This pleased his humour, especially as he
anticipated the pleasure of bringing relief to him.
Mrs. Ivimey did not respond to his summons, and as he was preparing to
knock again, a door on the left of the little passage opened and the
artist came out to him.
"I’m afraid Mrs. Ivimey is out at the back somewhere," he said. "Shall
I go and call her for you?"
Public-domain text, read in full here on John Shaqi.
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