Country life -- England -- Fiction; England -- Social life and customs -- Fiction
Bastian was away longer than it would have taken him to get a glass, and
when he returned he had on a collar and a flowing brightly coloured tie.
He now looked like an artist, and not so much like a broken-down
gentleman-loafer.
"Say when!" he said, pouring out the whisky, and Wilbraham said when,
but not immediately.
"I get tired of painting," said Bastian. "It’s very hot out there on
the moor, and I didn’t bring a sketching umbrella with me. I thought
I’d have a lazy time with a book. ’David Copperfield.’ One of the best
books, I consider." He held his head aside as he looked at Wilbraham.
Wilbraham had taken his first sip of whisky. It was only a sip, but his
face seemed to expand under it. His heart also expanded towards a
Dickens enthusiast, and for a time they talked about Dickens, and found
themselves always in encouraging agreement.
"It’s a pleasure to have somebody to talk to," said Bastian. "I love
being in the country and I hate being in London. I came down here to be
as far away from London as possible, but there’s no doubt one does want
human intercourse. I’m devoted to my little girl, who’s here with me;
but one wants men to talk to."
"Oh, you’ve got a daughter with you," said Wilbraham. He had been
considering all the time, underneath the conversation, whether or not
Bastian could be introduced to Royd. He was a gentleman: that was
obvious. But it was equally obvious that he had shed some of the
customs usually followed by gentlemen. Would his innate breeding carry
him through, with women—with Lady Brent? With a man, or at least with
one who prided himself on being able to see beneath the surface, the
shocking old clothes and the shag tobacco would make no difference.
Then there was the whisky. Wilbraham had rather more than a suspicion
that Bastian’s case was not so very different from his own: that whisky
meant a good deal to Bastian. There were signs of it on his smooth
child-like face—a lack of clearness in a skin that was meant to be
unusually clear, a slackness of muscle, a look in the eye and in the
droop of the mouth; and the second—or possibly the third—allowance that
Bastian had poured into his glass had exceeded by a good half inch the
not meagre allowance that Wilbraham had accepted in his own. Perhaps it
might lead to complications to invite him to Royd. If Wilbraham should
decide not to, the daughter might be made an excuse.
"She’s a dear child," said Bastian. "Her mother’s dead. She was one in
a thousand." He sighed. "Viola and I are everything to one another.
We’re scarcely ever parted, except when we’re at work. She has to earn
money, poor child, and neither of us manages to earn very much. Still,
we’re happy together, and happiest of all when we leave the streets
behind us and get out into the country."
Public-domain text, read in full here on John Shaqi.
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