“Ladies took their place in line and waited for hours to get tickets for the opening performance. The face of the tall and genial Bram Stoker, Mr. Irving’s agent, wore a broad smile as, standing in the vestibule, he noticed the swelling crowd passing between the continually swinging doors. The array of regular first-nighters was up to the notch, and all the familiar faces, not only those most looked for with the lorgnettes, but those that vanish between the acts, were there. Tall Tom Donaldson, one of Blaine’s lieutenants, whose wife and daughter were in one of the boxes, was leaning against the wall talking to Judge William Haydon, formerly of Nevada, one of the oldest theatre-goers in the United States, who saw Edmund Kean play Hamlet, and thinks Irving the best actor he has seen since. Joseph F. Tobias, ruddy, genial, and Chesterfieldian as ever, was shaking hands at every turn, and L. Clark Davis, in immaculate evening dress and pearl studs, but with the inevitable Bohemian hat, was the centre of a chatty group. Charles E. Cramp and Horace Warding were talking to Dr. Thomas H. Andrews, who has the largest theatrical practice of any physician in Philadelphia, and has been called to attend half the stars who have appeared here in recent years. Almost every well-known first-nighter was on hand, and the invariable sentiment was that this was the big event of the present year. There were many well-known people who are not often seen at the theatre, notably Daniel M. Fox, Director of the Mint, who sat in the centre aisle, near the stage, with a party of friends, and appeared to enjoy the performance very much. Just back of him was a large party from Bethlehem, Pa. John R. Jones, the Bible publisher, had with him Miss Jones, in a stunning gray imported costume, one of the most artistic in the theatre. Robert W. Downing had quite a party. There were several large theatrical parties. The most noticeable was the one given by Miss K. N. Green, which included many attractive ladies. Ex-Attorney-General Brewster was the centre of quite a large party in the orchestra, including several ladies. A very beautiful bevy was the party given by Miss Hattie Fox, daughter of George S. Fox, which numbered thirty-five. They all had seats in the orchestra circle. Some of the most fashionable people had to be content with seats upstairs, and there was one party of young ladies in the family circle who were in full dress and went direct in carriages, at the close of the performance, to the dancing-class.” [39] When the piece was first given at the Court Theatre, there was a bit of realism that was almost too conscientious. The little family music was accompanied on a genuine old harpsichord, which, it was gravely announced in the bill, was actually dated 1768, about the period of the novel, and was of course, “kindly lent” by the owner.