Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
We may therefore conclude that the real substance, as it may be
called, of what goes under the name of taste, is fixed and established
in the nature of things; that there are certain and regular causes by
which the imagination and passions of men are affected; and that the
knowledge of these causes is acquired by a laborious and diligent
investigation of nature, and by the same slow progress as wisdom or
knowledge of every kind, however instantaneous its operations may
appear when thus acquired.
It has been often observed, that the good and virtuous man alone can
acquire this true or just relish even of works of art. This opinion
will not appear entirely without foundation, when we consider that the
same habit of mind, which is acquired by our search after truth, in
the more serious duties of life, is only transferred to the pursuit of
lighter amusements. The same disposition, the same desire to find
something steady, substantial, and durable, on which the mind can
lean, as it were, and rest with safety, actuates us in both cases.
The subject only is changed. We pursue the same method in our search
after the idea of beauty and perfection in each; of virtue, by looking
forward beyond ourselves to society, and to the whole; of arts, by
extending our views in the same manner, to all ages and all times.
Every art, like our own, has in its composition fluctuating as well as
fixed principles. It is an attentive inquiry into their difference
that will enable us to determine how far we are influenced by custom
and habit, and what is fixed in the nature of things.
To distinguish how much has solid foundation, we may have recourse to
the same proof by which some hold that wit ought to be tried; whether
it preserves itself when translated. That wit is false which can
subsist only in one language; and that picture which pleases only one
age or one nation owes its reception to some local or accidental
association of ideas.
We may apply this to every custom and habit of life. Thus, the general
principles of urbanity, politeness, or civility, have been the same in
all nations; but the mode in which they are dressed is continually
varying. The general idea of showing respect is by making yourself
less; but the manner, whether by bowing the body, kneeling,
prostration, pulling off the upper part of our dress, or taking away
the lower,[8] is a matter of custom.
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