Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
I have mentioned taste in dress, which is certainly one of the lowest
subjects to which this word is applied; yet, as I have before
observed, there is a right even here, however narrow its foundation,
respecting the fashion of any particular nation. But we have still
more slender means of determining to which of the different customs of
different ages or countries we ought to give the preference, since
they seem to be all equally removed from nature. If an European, when
he has cut off his beard, and put false hair on his head, or bound up
his own natural hair in regular hard knots, as unlike nature as he can
possibly make it; and after having rendered them immovable by the help
of the fat of hogs, has covered the whole with flour, laid on by a
machine with the utmost regularity; if, when thus attired, he issues
forth, and meets a Cherokee Indian, who has bestowed as much time at
his toilet, and laid on, with equal care and attention, his yellow and
red ochre on particular parts of his forehead or cheeks, as he judges
most becoming; whoever of these two despises the other for this
attention to the fashion of his country, whichever first feels himself
provoked to laugh, is the barbarian.
All these fashions are very innocent; neither worth disquisition, nor
any endeavour to alter them; as the change would, in all probability,
be equally distant from nature. The only circumstance against which
indignation may reasonably be moved, is, where the operation is
painful or destructive of health; such as some of the practices at
Otaheite, and the strait-lacing of the English ladies; of the last of
which practices, how destructive it must be to health and long life
the professor of anatomy took an opportunity of proving a few days
since in this Academy.
It is in dress as in things of greater consequence. Fashions originate
from those only who have the high and powerful advantages of rank,
birth, and fortune. Many of the ornaments of art, those at least for
which no reason can be given, are transmitted to us, are adopted, and
acquire their consequence from the company in which we have been used
to see them. As Greece and Rome are the fountains from whence have
flowed all kinds of excellence, to that veneration which they have a
right to claim for the pleasure and knowledge which they have afforded
us we voluntarily add our approbation of every ornament and every
custom that belonged to them, even to the fashion of their dress. For
it may be observed that, not satisfied with them in their own place,
we make no difficulty of dressing statues of modern heroes or senators
in the fashion of the Roman armour or peaceful robe; we go so far as
hardly to bear a statue in any other drapery.
Public-domain text, read in full here on John Shaqi.
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