Ancient ornaments, having the right of possession, ought not to be removed, unless to make room for that which not only has higher pretensions, but such pretensions as will balance the evil and confusion which innovation always brings with it. To this we may add, that even the durability of the materials will often contribute to give a superiority to one object over another. Ornaments in buildings, with which taste is principally concerned, are composed of materials which last longer than those of which dress is composed; the former, therefore, make higher pretensions to our favour and prejudice. Some attention is surely due to what we can no more get rid of than we can go out of ourselves. We are creatures of prejudice; we neither can nor ought to eradicate it; we must only regulate it by reason; which kind of regulation is indeed little more than obliging the lesser, the local and temporal prejudices, to give way to those which are more durable and lasting. He, therefore, who in his practice of portrait-painting wishes to dignify his subject, which we will suppose to be a lady, will not paint her in the modern dress, the familiarity of which alone is sufficient to destroy all dignity. He takes care that his work shall correspond to those ideas and that imagination which he knows will regulate the judgment of others; and, therefore, dresses his figure something with the general air of the antique for the sake of dignity, and preserves something of the modern for the sake of likeness. By this conduct his works correspond with those prejudices which we have in favour of what we continually see; and the relish of the antique simplicity corresponds with what we may call the more learned and scientific prejudice. There was a statue made not long since of Voltaire, which the sculptor, not having that respect for the prejudices of mankind which he ought to have had, made entirely naked, and as meagre and emaciated as the original is said to be. The consequence was what might have been expected: it remained in the sculptor's shop, though it was intended as a public ornament and a public honour to Voltaire, for it was procured at the expense of his contemporary wits and admirers.