Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
Falconet does not at all acquiesce in the praise that is bestowed on
Timanthes; not only because it is not his invention, but because he
thinks meanly of this trick of concealing, except in instances of
blood, where the objects would be too horrible to be seen; but, says
he, "in an afflicted Father, in a King, in Agamemnon, you, who are a
painter, conceal from me the most interesting circumstance, and then
put me off with sophistry and a veil. You are (he adds) a feeble
Painter, without resource: you do not know even those of your Art: I
care not what veil it is, whether closed hands, arms raised, or any
other action that conceals from me the countenance of the Hero. You
think of veiling Agamemnon; you have unveiled your own ignorance. A
Painter who represents Agamemnon veiled is as ridiculous as a Poet
would be, who, in a pathetic situation, in order to satisfy my
expectations, and rid himself of the business, should say, that the
sentiments of his hero are so far above whatever can be said on the
occasion, that he shall say nothing."
To what Falconet has said, we may add, that supposing this method of
leaving the expression of grief to the imagination to be, as it was
thought to be, the invention of the painter, and that it deserves all
the praise that has been given it, still it is a trick that will serve
but once: whoever does it a second time will not only want novelty,
but be justly suspected of using artifice to evade difficulties. If
difficulties overcome make a great part of the merit of Art,
difficulties evaded can deserve but little commendation.
FOOTNOTES:
9: DISCOURSES II. and VI.
10: This was inadvertently said. I did not recollect the
admirable treatise _On the Sublime and Beautiful_.
DISCOURSE IX.
_Delivered at the Opening of the Royal Academy, in Somerset Place,
October 16, 1780._
ON THE REMOVAL OF THE ROYAL ACADEMY TO SOMERSET PLACE.--THE
ADVANTAGES TO SOCIETY FROM CULTIVATING INTELLECTUAL PLEASURE.
The honour which the Arts acquire by being permitted to take
possession of this noble habitation is one of the most considerable of
the many instances we have received of His Majesty's protection; and
the strongest proof of his desire to make the Academy respectable.
Public-domain text, read in full here on John Shaqi.
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