Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
As the senses, in the lowest state of nature, are necessary to direct us
to our support, when that support is once secure there is danger in
following them further; to him who has no rule of action but the
gratification of the senses, plenty is always dangerous: it is therefore
necessary to the happiness of individuals, and still more necessary to
the security of society, that the mind should be elevated to the idea of
general beauty, and the contemplation of general truth; by this pursuit
the mind is always carried forward in search of something more excellent
than it finds, and obtains its proper superiority over the common senses
of life, by learning to feel itself capable of higher aims and nobler
enjoyments. In this gradual exaltation of human nature, every art
contributes its contingent towards the general supply of mental
pleasure. Whatever abstracts the thoughts from sensual gratifications,
whatever teaches us to look for happiness within ourselves, must advance
in some measure the dignity of our nature.
Perhaps there is no higher proof of the excellency of man than
this--that to a mind properly cultivated, whatever is bounded is
little. The mind is continually labouring to advance, step by step,
through successive gradations of excellence, towards perfection, which
is dimly seen, at a great, though not hopeless, distance, and which we
must always follow, because we never can attain; but the pursuit
rewards itself; one truth teaches another, and our store is always
increasing, though nature can never be exhausted. Our art, like all
arts which address the imagination, is applied to a somewhat lower
faculty of the mind, which approaches nearer to sensuality: but
through sense and fancy it must make its way to reason; for such is
the progress of thought, that we perceive by sense, we combine by
fancy, and distinguish by reason: and without carrying our art out of
its natural and true character, the more we purify it from everything
that is gross in sense, in that proportion we advance its use and
dignity; and in proportion as we lower it to mere sensuality, we
pervert its nature, and degrade it from the rank of a liberal art; and
this is what every artist ought well to remember. Let him remember
also, that he deserves just so much encouragement in the state as he
makes himself a member of it virtuously useful, and contributes in his
sphere to the general purpose and perfection of society.
Public-domain text, read in full here on John Shaqi.
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