Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
To conclude. However we may apologise for the deficiencies of
Gainsborough (I mean particularly his want of precision and
finishing), who so ingeniously contrived to cover his defects by his
beauties; and who cultivated that department of art, where such
defects are more easily excused; you are to remember, that no apology
can be made for this deficiency, in that style which this Academy
teaches, and which ought to be the object of your pursuit. It will be
necessary for you, in the first place, never to lose sight of the
great rules and principles of the art, as they are collected from the
full body of the best general practice, and the most constant and
uniform experience; this must be the groundwork of all your studies:
afterwards you may profit, as in this case I wish you to profit, by
the peculiar experience and personal talents of artists, living and
dead; you may derive lights, and catch hints, from their practice; but
the moment you turn them into models, you fall infinitely below them;
you may be corrupted by excellencies, not so much belonging to the
art, as personal and appropriated to the artist; and become bad copies
of good painters, instead of excellent imitators of the great
universal truth of things.
DISCOURSE XV.
_Delivered to the Students of the Royal Academy, on the Distribution of
the Prizes, December 10, 1790._
THE PRESIDENT TAKES LEAVE OF THE ACADEMY.--A REVIEW OF THE
DISCOURSES.--THE STUDY OF THE WORKS OF MICHEL ANGELO RECOMMENDED.
The intimate connection which I have had with the Royal Academy ever
since its establishment, the social duties in which we have all
mutually engaged for so many years, make any profession of attachment
to this Institution, on my part, altogether superfluous; the influence
of habit alone in such a connection would naturally have produced it.
Among men united in the same body, and engaged in the same pursuit,
along with permanent friendship occasional differences will arise. In
these disputes men are naturally too favourable to themselves, and
think, perhaps, too hardly of their antagonists. But composed and
constituted as we are, those little contentions will be lost to
others, and they ought certainly to be lost amongst ourselves in
mutual esteem for talents and acquirements: every controversy ought to
be, and I am persuaded will be, sunk in our zeal for the perfection of
our common Art.
In parting with the Academy, I shall remember with pride, affection,
and gratitude, the support with which I have almost uniformly been
honoured from the commencement of our intercourse. I shall leave you,
Gentlemen, with unaffected cordial wishes for your future concord, and
with a well-founded hope, that in that concord the auspicious and not
obscure origin of our Academy may be forgotten in the splendour of
your succeeding prospects.
Public-domain text, read in full here on John Shaqi.
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