Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
I am confident of the truth and propriety of the advice which I have
recommended; at the same time I am aware how much by this advice I
have laid myself open to the sarcasms of those critics who imagine our
Art to be a matter of inspiration. But I should be sorry it should
appear even to myself that I wanted that courage which I have
recommended to the Students in another way; equal courage, perhaps, is
required in the adviser and the advised; they both must equally dare
and bid defiance to narrow criticism and vulgar opinion.
That the Art has been in a gradual state of decline, from the age of
Michel Angelo to the present, must be acknowledged; and we may
reasonably impute this declension to the same cause to which the
ancient Critics and Philosophers have imputed the corruption of
eloquence. Indeed, the same causes are likely at all times and in all
ages to produce the same effects; indolence--not taking the same pains
as our great predecessors took--desiring to find a shorter way--are
the general imputed causes. The words of Petronius[19] are very
remarkable. After opposing the natural chaste beauty of the eloquence
of former ages to the strained, inflated style then in fashion,
"neither," says he, "has the Art of Painting had a better fate, after
the boldness of the Egyptians had found out a compendious way to
execute so great an art."
By _compendious_, I understand him to mean a mode of Painting such as
has infected the style of the later Painters of Italy and France;
commonplace, without thought, and with as little trouble, working as
by a receipt; in contradistinction to that style for which even a
relish cannot be acquired without care and long attention, and most
certainly the power of executing cannot be obtained without the most
laborious application.
I have endeavoured to stimulate the ambition of Artists to tread in
this great path of glory, and, as well as I can, have pointed out the
track which leads to it, and have at the same time told them the price
at which it may be obtained. It is an ancient saying, that labour is
the price which the gods have set upon everything valuable.
Public-domain text, read in full here on John Shaqi.
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