Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen ZimmernReynolds, Joshua, Sir
General
Sir Joshua Reynolds' Discourses: Edited, with an Introduction, by Helen Zimmern
Reynolds, Joshua, Sir
Art
Perhaps no apology ought to be received for offences committed against
the vehicle (whether it be the organ of seeing or of hearing) by which
our pleasures are conveyed to the mind. We must take care that the eye
be not perplexed and distracted by a confusion of equal parts, or
equal lights, or offended by an unharmonious mixture of colours, as we
should guard against offending the ear by unharmonious sounds. We may
venture to be more confident of the truth of this observation, since
we find that Shakespeare, on a parallel occasion, has made Hamlet
recommend to the players a precept of the same kind--never to offend
the ear by harsh sounds: _In the very torrent, tempest, and whirlwind
of your passion_, says he, _you must acquire and beget a temperance
that may give it smoothness_. And yet, at the same time, he very
justly observes, _The end of playing, both at the first, and now, was,
and is, to hold, as 'twere, the mirror up to nature_. No one can deny
that violent passions will naturally emit harsh and disagreeable
tones; yet this great poet and critic thought that this imitation of
nature would cost too much, if purchased at the expense of
disagreeable sensations, or, as he expresses it, of _splitting the
ear_. The poet and actor, as well as the painter of genius, who is
well acquainted with all the variety and sources of pleasure in the
mind and imagination, has little regard or attention to common nature,
or creeping after common-sense. By overleaping those narrow bounds, he
more effectually seizes the whole mind, and more powerfully
accomplishes his purpose. This success is ignorantly imagined to
proceed from inattention to all rules, and a defiance of reason and
judgment; whereas it is in truth acting according to the best rules
and the justest reason.
He who thinks nature, in the narrow sense of the word, is alone to be
followed, will produce but a scanty entertainment for the imagination;
everything is to be done with which it is natural for the mind to be
pleased, whether it proceeds from simplicity or variety, uniformity or
irregularity; whether the scenes are familiar or exotic; rude and
wild, or enriched and cultivated; for it is natural for the mind to be
pleased with all these in their turn. In short, whatever pleases has
in it what is analogous to the mind, and is, therefore, in the highest
and best sense of the word, natural.
Public-domain text, read in full here on John Shaqi.
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