Sir Thomas More, or, Colloquies on the Progress and Prospects of SocietySouthey, Robert
Philosophy
Sir Thomas More, or, Colloquies on the Progress and Prospects of Society
Southey, Robert
More, Thomas, Saint, 1478-1535; Social problems
_Montesinos_.--They complain not of the age, but they complain of an
anomalous injustice in the laws. They complain that authors are deprived
of a perpetual property in the produce of their own labours, when all
other persons enjoy it as an indefeasible and acknowledged right. And
they ask upon what principle, with what equity, or under what pretence of
public good they are subjected to this injurious enactment? Is it
because their labour is so light, the endowments which are required for
it so common, the attainments so cheaply and easily acquired, and the
present remuneration in all cases so adequate, so ample, and so certain?
The act whereby authors are deprived of that property in their own works
which, upon every principle of reason, natural justice, and common law,
they ought to enjoy, is so curiously injurious in its operation, that it
bears with most hardship upon the best works. For books of great
immediate popularity have their run and come to a dead stop: the hardship
is upon those which win their way slowly and difficultly, but keep the
field at last. And it will not appear surprising that this should
generally have been the case with books of the highest merit, if we
consider what obstacles to the success of a work may be opposed by the
circumstances and obscurity of the author, when he presents himself as a
candidate for fame, by the humour or the fashion of the times; the taste
of the public, more likely to be erroneous than right at any time; and
the incompetence, or personal malevolence of some unprincipled critic,
who may take upon himself to guide the public opinion, and who if he
feels in his own heart that the fame of the man whom he hates is
invulnerable, lays in wait for that reason the more vigilantly to wound
him in his fortunes. In such cases, when the copyright as by the
existing law departs from the author's family at his death, or at the end
of twenty-eight years from the first publication of every work, (if he
dies before the expiration of that term,) his representatives are
deprived of their property just as it would begin to prove a valuable
inheritance.
The last descendants of Milton died in poverty. The descendants of
Shakespeare are living in poverty, and in the lowest condition of life.
Is this just to these individuals? Is it grateful to the memory of those
who are the pride and boast of their country? Is it honourable, or
becoming to us as a nation, holding--the better part of us assuredly, and
the majority affecting to hold--the names of Shakespeare and Milton in
veneration?
Public-domain text, read in full here on John Shaqi.
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