Sir Thomas More, or, Colloquies on the Progress and Prospects of SocietySouthey, Robert
Philosophy
Sir Thomas More, or, Colloquies on the Progress and Prospects of Society
Southey, Robert
More, Thomas, Saint, 1478-1535; Social problems
In the fine arts, as well as in literature, a levelling principle is
going on, fatal, perhaps, to excellence, but favourable to mediocrity.
Such facilities are afforded to imitative talent, that whatever is
imitable will be imitated. Genius will often be suppressed by this, and
when it exerts itself, will find it far more difficult to obtain notice
than in former times. There is the evil here that ingenious persons are
seduced into a profession which is already crowded with unfortunate
adventurers; but, on the other hand, there is a great increase of
individual and domestic enjoyment. Accomplishments which were almost
exclusively professional in the last age, are now to be found in every
family within a certain rank of life. Wherever there is a disposition
for the art of design, it is cultivated, and in consequence of the
general proficiency in this most useful of the fine arts, travellers
represent to our view the manners and scenery of the countries which they
visit, as well by the pencil as the pen. By means of two fortunate
discoveries in the art of engraving, these graphic representations are
brought within the reach of whole classes who were formerly precluded by
the expense of such things from these sources of gratification and
instruction. Artists and engravers of great name are now, like authors
and booksellers, induced to employ themselves for this lower and wider
sphere of purchasers. In all this I see the cause as well as the effect
of a progressive refinement, which must be beneficial in many ways. This
very diffusion of cheap books and cheap prints may, in its natural
consequences, operate rather to diminish than to increase the number of
adventurers in literature and in the arts. For though at first it will
create employment for greater numbers, yet in another generation
imitative talent will become so common, that neither parents nor
possessors will mistake it for an indication of extraordinary genius, and
many will thus be saved from a ruinous delusion. More pictures will be
painted but fewer exhibited, more poetry written but less published, and
in both arts talents which might else have been carried to an overstocked
and unprofitable market, will be cultivated for their own sakes, and for
the gratification of private circles, becoming thus a source of sure
enjoyment and indirectly of moral good. Scientific pursuits will, in
like manner, be extended, and pursuits which partake of science, and
afford pleasures within the reach of humble life.
Public-domain text, read in full here on John Shaqi.
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