"I don't want you to be under-dressed; there is plenty of time. Don't
you think you might do a little more in the way of toilette? Put on some
lace or something; Fletcher will know. Look here, Fletcher, I want Lady
Randolph to look very well to-night. Don't you think this get-up would
stand improvement? I dare say you could do it with ribbons, or
something. We must not have her look like my grandchild, you know."
Upon which Fletcher, somewhat mollified and murmuring that Sir Thomas
was a gentleman that would always have his joke, answered boldly that
_that_ was not how she would have dressed her lady had she had the doing
of it. "But I know my place," Fletcher said, "though to see my lady
like this always goes against me, Sir Thomas, and especially with
foreigners in the house that are always dressed up to the nines and
don't think of nothing else. But if Lady Randolph would wear her blue it
could all be done in five minutes, and look far nicer and more like the
lady of the house."
This transfer was finally made, for Lucy had no small obstinacies and
was glad to please her husband. The "blue" was of the lightest tint of
shimmering silk, and gave a little background of colour, upon which
Lucy's fairness and whiteness stood out. Sir Thomas always took an
interest in his wife's dress; but it was seldom he occupied himself so
much about it. It was he who went to the conservatory to get a flower
for her hair. He took her downstairs upon his arm "as if they were out
visiting," Lucy said, instead of at home in their own house. She was
amused at all this form and ceremony, and came down to the drawing-room
with a little flush of pleasure and merriment about her, quite different
from the demure little Lady Randolph, half frightened and very serious,
with the weight on her mind of a strange language to be spoken, who but
for Sir Tom's intervention would have been standing by the fire awaiting
her visitor. The Dowager was downstairs before her, looking grave
enough, and Jock, slim and dark, supporting a corner of the mantelpiece,
like a young Caryatides in black. Lucy's brightness, her pretty shimmer
of blue, the flower in her hair, relieved these depressing influences.
She stood in the firelight with the ruddy irregular glare playing on
her, a pretty youthful figure; and her husband's assiduities, and the
entire cessation of any apparent consciousness on his part that any
question had ever arisen between them, made Lucy's heart light in her
breast. She forgot even the possibility of having to talk French in the
ease of her mind; and before she had time to remember her former alarm
there came gliding through the subdued light of the greater drawing-room
two figures. Sir Tom stepped forward to meet the stranger, who gave him
her hand as if she saw him for the first time, and Lucy advanced with a
little tremor. Here was the Contessa--the Forno-Populo--the foreign
great lady and great beauty at last.
Public-domain text, read in full here on John Shaqi.
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