"Methuselahs," she said reflectively. "Older, if that is possible;
knowing everything, while she knows nothing. She is our good angel. It
is what you would not have dared to offer, you who know me--yes, I
believe it--and like me. Oh no, I do not go beyond that English word,
never! You like the Forno-Populo. I know how you men speak. You think
that there is amusement to be got from her, and you will do me the
honour to say, no harm. That is, no permanent harm. But you would not
offer to befriend me, no, not the best of you. But she who by nature is
against such women as I am--Sweet Lucy! Yes it is you I am talking of,"
the Contessa said, who was skilful to break any lengthened speeches like
this by all manner of interruptions, so that it should never tire the
person to whom it was addressed. "She, who is not amused by me, who does
not like me, whose prejudices are all against me, she it is who offers
me her little hand to help me. It is a lovely little hand, though she is
not a beauty----"
"My wife is very well," said Sir Tom, with a certain hauteur and
abruptness, such as in all their lengthened conversations he had never
shown before.
The Contessa gave him a look in which there was much of that feminine
contempt at which men laugh as one of the pretences of women. "I am
going to be good to her as she is to me," she said. "The Carnival will
be short this year, and in England you have no Carnival. I will find
myself a little house for the season. I will not too much impose upon
that angel. There, now, is something good for you to relieve your mind.
I can read you, _mon ami_, like a book. You are fond of me--oh yes!--but
not too long; not too much. I can read you like a book."
"Too long, too much, are not in my vocabulary," said Sir Tom; "have they
a meaning? not certainly that has any connection with a certain charming
Contessina. If that lady has a fault, which I doubt, it is that she
gives too little of her gracious countenance to her friends."
"She does not come down to breakfast," said the Contessa, with her soft
laugh, which in itself was a work of art. "She is not so foolish as to
put herself in competition with the lilies and the roses, the English
flowers. Poverina! she keeps herself for the afternoon which is
charitable, and the light of the lamps which is flattering. But she
remembers other days--alas! in which she was not afraid of the sun
himself, not even of the mid-day, nor of the dawn when it comes in above
the lamps. There was a certain _bal costume_ in Florence, a year when
many English came to the Populino palace. But why do I talk of that? You
will not remember----"
Public-domain text, read in full here on John Shaqi.
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