great ideas of everything, the exalted ideal that showed in all he did or said, gave great pleasure to this woman of the world. And when they came to the question of the educational influence of the stage, and the conscientious character of the actors' work, she could not conceal her satisfaction. "I will go with you, too," she said, "this evening." "We shall all go," said Sir Tom, "even Bice. There is a big box, and behind the curtain nobody will see her." To this the Contessa demurred, but, after a little while, being in a yielding humour, gave way. "It is for the play alone," she said in an undertone, raising her finger in admonition, "You will remember, my child, for the play alone." "We are all going for the play alone," said Sir Tom, cheerfully. "Here is Lucy, who is a baby for a play. She likes melodrama best, disguises and trap-doors and long-lost sons, and all the rest of it." "It is a taste that is very general," said MTutor, indulgently; "but I am sure Lady Randolph appreciates the efforts of a conscientious interpreter--one who calls all the resources of art to his aid----" "I don't care for the play alone," said Bice to Jock in an undertone. "I want to see the people. They are always the most amusing. I have seen nobody yet in London. And though I must not be seen, I may look, that will do no harm. Then there will be the people who come into the box." "The people who come into the box! but you know us all," said Jock, astonished, "before we go----" "You all?" said Bice, with some disdain. "It is easy to see _you_; that is not what I mean; this will be the first time I put my foot into the world. The actors, that is nothing. Is it the custom in England to look much at the play? No, you go to see your friends." MTutor was on the other side of this strange girl in her black frock. He took it upon him to reply. He said: "That is the case in some countries, but not here. In England the play is actually thought of. English actors are not so good as the French, nor even the Italian. And the Germans are much better trained. Nevertheless, we do what perhaps no other nation does. We give them our attention. It is this which makes the position of the actors more important, more interesting in England." "Stop a little, stop a little!" cried Sir Tom; "don't let me interrupt you, Derwentwater, if you are instructing the young ones; but don't forget the _Comedie Francaise_ and the aristocracy of art." "I do not forget it," said Mr. Derwentwater; "in that point of view we are far behind France; still I uphold that nowhere else do people go to the theatre for the sake of the play as we do; and it is this," he said, turning to Bice, "that makes it possible that the theatre may be an influence and a power."