Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
In the matter of the company, Mr. Bamberger had disappeared. That
hopeless example had fallen under the lance of the director's criticism.
Mrs. Morgan was still present, but envious and determined, if for
nothing more than spite, to do as well as Carrie at least. A loafing
professional had been called in to assume the role of Ray, and, while he
was a poor stick of his kind, he was not troubled by any of those qualms
which attack the spirit of those who have never faced an audience. He
swashed about (cautioned though he was to maintain silence concerning
his past theatrical relationships) in such a self-confident manner that
he was like to convince every one of his identity by mere matter of
circumstantial evidence.
"It is so easy," he said to Mrs. Morgan, in the usual affected stage
voice. "An audience would be the last thing to trouble me. It's the
spirit of the part, you know, that is difficult."
Carrie disliked his appearance, but she was too much the actress not to
swallow his qualities with complaisance, seeing that she must suffer his
fictitious love for the evening.
At six she was ready to go. Theatrical paraphernalia had been provided
over and above her care. She had practised her make-up in the morning,
had rehearsed and arranged her material for the evening by one o'clock,
and had gone home to have a final look at her part, waiting for the
evening to come.
On this occasion the lodge sent a carriage. Drouet rode with her as far
as the door, and then went about the neighbouring stores, looking for
some good cigars. The little actress marched nervously into her
dressing-room and began that painfully anticipated matter of make-up
which was to transform her, a simple maiden, to Laura, The Belle of
Society.
The flare of the gas-jets, the open trunks, suggestive of travel and
display, the scattered contents of the make-up box--rouge, pearl powder,
whiting, burnt cork, India ink, pencils for the eyelids, wigs, scissors,
looking-glasses, drapery--in short, all the nameless paraphernalia of
disguise, have a remarkable atmosphere of their own. Since her arrival
in the city many things had influenced her, but always in a far-removed
manner. This new atmosphere was more friendly. It was wholly unlike the
great brilliant mansions which waved her coldly away, permitting her
only awe and distant wonder. This took her by the hand kindly, as one
who says, "My dear, come in." It opened for her as if for its own. She
had wondered at the greatness of the names upon the bill-boards, the
marvel of the long notices in the papers, the beauty of the dresses upon
the stage, the atmosphere of carriages, flowers, refinement. Here was
no illusion. Here was an open door to see all of that. She had come upon
it as one who stumbles upon a secret passage, and, behold, she was in
the chamber of diamonds and delight!
Public-domain text, read in full here on John Shaqi.
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