Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
The lack of feeling in the thing was ridiculous. Carrie did not get it
at all. She seemed to be talking in her sleep. It looked as if she were
certain to be a wretched failure. She was more hopeless than Mrs.
Morgan, who had recovered somewhat, and was now saying her lines clearly
at least. Drouet looked away from the stage at the audience. The latter
held out silently, hoping for a general change, of course. Hurstwood
fixed his eye on Carrie, as if to hypnotise her into doing better. He
was pouring determination of his own in her direction. He felt sorry
for her.
In a few more minutes it fell to her to read the letter sent in by the
strange villain. The audience had been slightly diverted by a
conversation between the professional actor and a character called
Snorky, impersonated by a short little American, who really developed
some humour as a half-crazed, one-armed soldier, turned messenger for a
living. He bawled his lines out with such defiance that, while they
really did not partake of the humour intended, they were funny. Now he
was off, however, and it was back to pathos, with Carrie as the chief
figure. She did not recover. She wandered through the whole scene
between herself and the intruding villain, straining the patience of the
audience, and finally exiting, much to their relief.
"She's too nervous," said Drouet, feeling in the mildness of the remark
that he was lying for once.
"Better go back and say a word to her."
Drouet was glad to do anything for relief. He fairly hustled around to
the side entrance, and was let in by the friendly doorkeeper. Carrie was
standing in the wings, weakly waiting her next cue, all the snap and
nerve gone out of her.
"Say, Cad," he said, looking at her, "you mustn't be nervous. Wake up.
Those guys out there don't amount to anything. What are you afraid of?"
"I don't know," said Carrie. "I just don't seem to be able to do it."
She was grateful for the drummer's presence, though. She had found the
company so nervous that her own strength had gone.
"Come on," said Drouet. "Brace up. What are you afraid of? Go on out
there now, and do the trick. What do you care?"
Carrie revived a little under the drummer's electrical, nervous
condition.
"Did I do so very bad?"
"Not a bit. All you need is a little more ginger. Do it as you showed
me. Get that toss of your head you had the other night."
Carrie remembered her triumph in the room. She tried to think she could
do it.
"What's next?" he said, looking at her part, which she had been
studying.
"Why, the scene between Ray and me when I refuse him."
"Well, now you do that lively," said the drummer. "Put in snap, that's
the thing. Act as if you didn't care."
"Your turn next, Miss Madenda," said the prompter.
"Oh, dear," said Carrie.
"Well, you're a chump for being afraid," said Drouet. "Come on now,
brace up. I'll watch you from right here."
"Will you?" said Carrie.
"Yes, now go on. Don't be afraid."
The prompter signalled her.
Public-domain text, read in full here on John Shaqi.
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