Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
Carrie seemed not to listen. She only turned her head toward the window,
where outside all was black. The train was speeding with steady grace
across the fields and through patches of wood. The long whistles came
with sad, musical effect as the lonely woodland crossings were
approached.
Now the conductor entered the car and took up the one or two fares that
had been added at Chicago. He approached Hurstwood, who handed out the
tickets. Poised as she was to act, Carrie made no move. She did not look
about.
When the conductor had gone again Hurstwood felt relieved.
"You're angry at me because I deceived you," he said. "I didn't mean to,
Carrie. As I live I didn't. I couldn't help it. I couldn't stay away
from you after the first time I saw you."
He was ignoring the last deception as something that might go by the
board. He wanted to convince her that his wife could no longer be a
factor in their relationship. The money he had stolen he tried to shut
out of his mind.
"Don't talk to me," said Carrie, "I hate you. I want you to go away from
me. I am going to get out at the very next station."
She was in a tremble of excitement and opposition as she spoke.
"All right," he said, "but you'll hear me out, won't you? After all you
have said about loving me, you might hear me. I don't want to do you any
harm. I'll give you the money to go back with when you go. I merely want
to tell you, Carrie. You can't stop me from loving you, whatever you may
think."
He looked at her tenderly, but received no reply.
"You think I have deceived you badly, but I haven't. I didn't do it
willingly. I'm through with my wife. She hasn't any claims on me. I'll
never see her any more. That's why I'm here to-night. That's why I came
and got you."
"You said Charlie was hurt," said Carrie, savagely. "You deceived me.
You've been deceiving me all the time, and now you want to force me to
run away with you."
She was so excited that she got up and tried to get by him again. He let
her, and she took another seat. Then he followed.
"Don't run away from me, Carrie," he said gently. "Let me explain. If
you will only hear me out you will see where I stand. I tell you my wife
is nothing to me. She hasn't been anything for years or I wouldn't have
ever come near you. I'm going to get a divorce just as soon as I can.
I'll never see her again. I'm done with all that. You're the only person
I want. If I can have you I won't ever think of another woman again."
Carrie heard all this in a very ruffled state. It sounded sincere
enough, however, despite all he had done. There was a tenseness in
Hurstwood's voice and manner which could but have some effect. She did
not want anything to do with him. He was married, he had deceived her
once, and now again, and she thought him terrible. Still there is
something in such daring and power which is fascinating to a woman,
especially if she can be made to feel that it is all prompted by love of
her.
Public-domain text, read in full here on John Shaqi.
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