Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
"Let's go to the matinee this afternoon," said Mrs. Vance, who had
stepped across into Carrie's flat one morning, still arrayed in a soft
pink dressing-gown, which she had donned upon rising. Hurstwood and
Vance had gone their separate ways nearly an hour before.
"All right," said Carrie, noticing the air of the petted and
well-groomed woman in Mrs. Vance's general appearance. She looked as
though she was dearly loved and her every wish gratified. "What shall we
see?"
"Oh, I do want to see Nat Goodwin," said Mrs. Vance. "I do think he is
the jolliest actor. The papers say this is such a good play."
"What time will we have to start?" asked Carrie.
"Let's go at one and walk down Broadway from Thirty-fourth Street," said
Mrs. Vance. "It's such an interesting walk. He's at the Madison Square."
"I'll be glad to go," said Carrie. "How much will we have to pay for
seats?"
"Not more than a dollar," said Mrs. Vance.
The latter departed, and at one o'clock reappeared, stunningly arrayed
in a dark-blue walking dress, with a nobby hat to match. Carrie had
gotten herself up charmingly enough, but this woman pained her by
contrast. She seemed to have so many dainty little things which Carrie
had not. There were trinkets of gold, an elegant green leather purse
set with her initials, a fancy handkerchief, exceedingly rich in design,
and the like. Carrie felt that she needed more and better clothes to
compare with this woman, and that any one looking at the two would pick
Mrs. Vance for her raiment alone. It was a trying, though rather unjust
thought, for Carrie had now developed an equally pleasing figure, and
had grown in comeliness until she was a thoroughly attractive type of
her colour of beauty. There was some difference in the clothing of the
two, both of quality and age, but this difference was not especially
noticeable. It served, however, to augment Carrie's dissatisfaction with
her state.
Public-domain text, read in full here on John Shaqi.
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