Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
In the matter of the company, Mr. Bamberger had disappeared. That
hopeless example had fallen under the lance of the director’s
criticism. Mrs. Morgan was still present, but envious and determined,
if for nothing more than spite, to do as well as Carrie at least. A
loafing professional had been called in to assume the role of Ray, and,
while he was a poor stick of his kind, he was not troubled by any of
those qualms which attack the spirit of those who have never faced an
audience. He swashed about (cautioned though he was to maintain silence
concerning his past theatrical relationships) in such a self-confident
manner that he was like to convince every one of his identity by mere
matter of circumstantial evidence.
“It is so easy,” he said to Mrs. Morgan, in the usual affected stage
voice. “An audience would be the last thing to trouble me. It’s the
spirit of the part, you know, that is difficult.”
Carrie disliked his appearance, but she was too much the actress not to
swallow his qualities with complaisance, seeing that she must suffer
his fictitious love for the evening.
At six she was ready to go. Theatrical paraphernalia had been provided
over and above her care. She had practised her make-up in the morning,
had rehearsed and arranged her material for the evening by one o’clock,
and had gone home to have a final look at her part, waiting for the
evening to come.
On this occasion the lodge sent a carriage. Drouet rode with her as far
as the door, and then went about the neighbouring stores, looking for
some good cigars. The little actress marched nervously into her
dressing-room and began that painfully anticipated matter of make-up
which was to transform her, a simple maiden, to Laura, The Belle of
Society.
The flare of the gas-jets, the open trunks, suggestive of travel and
display, the scattered contents of the make-up box—rouge, pearl powder,
whiting, burnt cork, India ink, pencils for the eye-lids, wigs,
scissors, looking-glasses, drapery—in short, all the nameless
paraphernalia of disguise, have a remarkable atmosphere of their own.
Since her arrival in the city many things had influenced her, but
always in a far-removed manner. This new atmosphere was more friendly.
It was wholly unlike the great brilliant mansions which waved her
coldly away, permitting her only awe and distant wonder. This took her
by the hand kindly, as one who says, “My dear, come in.” It opened for
her as if for its own. She had wondered at the greatness of the names
upon the bill-boards, the marvel of the long notices in the papers, the
beauty of the dresses upon the stage, the atmosphere of carriages,
flowers, refinement. Here was no illusion. Here was an open door to see
all of that. She had come upon it as one who stumbles upon a secret
passage and, behold, she was in the chamber of diamonds and delight!
Public-domain text, read in full here on John Shaqi.
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