Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
Sunday passed with equal doubts, worries, assurances, and heaven knows
what vagaries of mind and spirit. Every half-hour in the day the
thought would come to her most sharply, like the tail of a swishing
whip, that action—immediate action—was imperative. At other times she
would look about her and assure herself that things were not so
bad—that certainly she would come out safe and sound. At such times she
would think of Drouet’s advice about going on the stage, and saw some
chance for herself in that quarter. She decided to take up that
opportunity on the morrow.
Accordingly, she arose early Monday morning and dressed herself
carefully. She did not know just how such applications were made, but
she took it to be a matter which related more directly to the theatre
buildings. All you had to do was to inquire of some one about the
theatre for the manager and ask for a position. If there was anything,
you might get it, or, at least, he could tell you how.
She had had no experience with this class of individuals whatsoever,
and did not know the salacity and humour of the theatrical tribe. She
only knew of the position which Mr. Hale occupied, but, of all things,
she did not wish to encounter that personage, on account of her
intimacy with his wife.
There was, however, at this time, one theatre, the Chicago Opera House,
which was considerably in the public eye, and its manager, David A.
Henderson, had a fair local reputation. Carrie had seen one or two
elaborate performances there and had heard of several others. She knew
nothing of Henderson nor of the methods of applying, but she
instinctively felt that this would be a likely place, and accordingly
strolled about in that neighbourhood. She came bravely enough to the
showy entrance way, with the polished and begilded lobby, set with
framed pictures out of the current attraction, leading up to the quiet
box-office, but she could get no further. A noted comic opera comedian
was holding forth that week, and the air of distinction and prosperity
overawed her. She could not imagine that there would be anything in
such a lofty sphere for her. She almost trembled at the audacity which
might have carried her on to a terrible rebuff. She could find heart
only to look at the pictures which were showy and then walk out. It
seemed to her as if she had made a splendid escape and that it would be
foolhardy to think of applying in that quarter again.
This little experience settled her hunting for one day. She looked
around elsewhere, but it was from the outside. She got the location of
several playhouses fixed in her mind—notably the Grand Opera House and
McVickar’s, both of which were leading in attractions—and then came
away. Her spirits were materially reduced, owing to the newly restored
sense of magnitude of the great interests and the insignificance of her
claims upon society, such as she understood them to be.
Public-domain text, read in full here on John Shaqi.
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