Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
Carrie seemed not to listen. She only turned her head toward the
window, where outside all was black. The train was speeding with steady
grace across the fields and through patches of wood. The long whistles
came with sad, musical effect as the lonely woodland crossings were
approached.
Now the conductor entered the car and took up the one or two fares that
had been added at Chicago. He approached Hurstwood, who handed out the
tickets. Poised as she was to act, Carrie made no move. She did not
look about.
When the conductor had gone again Hurstwood felt relieved.
“You’re angry at me because I deceived you,” he said. “I didn’t mean
to, Carrie. As I live I didn’t. I couldn’t help it. I couldn’t stay
away from you after the first time I saw you.”
He was ignoring the last deception as something that might go by the
board. He wanted to convince her that his wife could no longer be a
factor in their relationship. The money he had stolen he tried to shut
out of his mind.
“Don’t talk to me,” said Carrie, “I hate you. I want you to go away
from me. I am going to get out at the very next station.”
She was in a tremble of excitement and opposition as she spoke.
“All right,” he said, “but you’ll hear me out, won’t you? After all you
have said about loving me, you might hear me. I don’t want to do you
any harm. I’ll give you the money to go back with when you go. I merely
want to tell you, Carrie. You can’t stop me from loving you, whatever
you may think.”
He looked at her tenderly, but received no reply. “You think I have
deceived you badly, but I haven’t. I didn’t do it willingly. I’m
through with my wife. She hasn’t any claims on me. I’ll never see her
any more. That’s why I’m here to-night. That’s why I came and got you.”
“You said Charlie was hurt,” said Carrie, savagely. “You deceived me.
You’ve been deceiving me all the time, and now you want to force me to
run away with you.”
She was so excited that she got up and tried to get by him again. He
let her, and she took another seat. Then he followed.
“Don’t run away from me, Carrie,” he said gently. “Let me explain. If
you will only hear me out you will see where I stand. I tell you my
wife is nothing to me. She hasn’t been anything for years or I wouldn’t
have ever come near you. I’m going to get a divorce just as soon as I
can. I’ll never see her again. I’m done with all that. You’re the only
person I want. If I can have you I won’t ever think of another woman
again.”
Carrie heard all this in a very ruffled state. It sounded sincere
enough, however, despite all he had done. There was a tenseness in
Hurstwood’s voice and manner which could but have some effect. She did
not want anything to do with him. He was married, he had deceived her
once, and now again, and she thought him terrible. Still there is
something in such daring and power which is fascinating to a woman,
especially if she can be made to feel that it is all prompted by love
of her.
Public-domain text, read in full here on John Shaqi.
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