Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
“Now, to-morrow,” he thought, “I’ll look around myself,” and with
renewed hope he lifted his eyes from the ground.
On the morrow Carrie reported promptly and was given a place in the
line. She saw a large, empty, shadowy play-house, still redolent of the
perfumes and blazonry of the night, and notable for its rich, oriental
appearance. The wonder of it awed and delighted her. Blessed be its
wondrous reality. How hard she would try to be worthy of it. It was
above the common mass, above idleness, above want, above
insignificance. People came to it in finery and carriages to see. It
was ever a centre of light and mirth. And here she was of it. Oh, if
she could only remain, how happy would be her days!
“What is your name?” said the manager, who was conducting the drill.
“Madenda,” she replied, instantly mindful of the name Drouet had
selected in Chicago. “Carrie Madenda.”
“Well, now, Miss Madenda,” he said, very affably, as Carrie thought,
“you go over there.”
Then he called to a young woman who was already of the company:
“Miss Clark, you pair with Miss Madenda.”
This young lady stepped forward, so that Carrie saw where to go, and
the rehearsal began.
Carrie soon found that while this drilling had some slight resemblance
to the rehearsals as conducted at Avery Hall, the attitude of the
manager was much more pronounced. She had marvelled at the insistence
and superior airs of Mr. Millice, but the individual conducting here
had the same insistence, coupled with almost brutal roughness. As the
drilling proceeded, he seemed to wax exceedingly wroth over trifles,
and to increase his lung power in proportion. It was very evident that
he had a great contempt for any assumption of dignity or innocence on
the part of these young women.
“Clark,” he would call—meaning, of course, Miss Clark—“why don’t you
catch step there?”
“By fours, right! Right, I said, right! For heaven’s sake, get on to
yourself! Right!” and in saying this he would lift the last sounds into
a vehement roar.
“Maitland! Maitland!” he called once.
A nervous, comely-dressed little girl stepped out. Carrie trembled for
her out of the fulness of her own sympathies and fear.
“Yes, sir,” said Miss Maitland.
“Is there anything the matter with your ears?”
“No, sir.”
“Do you know what ‘column left’ means?”
“Yes, sir.”
“Well, what are you stumbling around the right for? Want to break up
the line?”
“I was just——”
“Never mind what you were just. Keep your ears open.”
Carrie pitied, and trembled for her turn.
Yet another suffered the pain of personal rebuke.
“Hold on a minute,” cried the manager, throwing up his hands, as if in
despair. His demeanour was fierce.
“Elvers,” he shouted, “what have you got in your mouth?”
“Nothing,” said Miss Elvers, while some smiled and stood nervously by.
“Well, are you talking?”
“No, sir.”
“Well, keep your mouth still then. Now, all together again.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account