Siwa : $b the oasis of Jupiter AmmonBelgrave, Charles Dalrymple, Sir
History
Siwa : $b the oasis of Jupiter Ammon
Belgrave, Charles Dalrymple, Sir
Siwah Oasis (Egypt)
Sheikh Thomi led me, slightly dishevelled, through a thick palm
grove, followed by the rest of the party, to a large summer-house
built of logs and thatch, set on the edge of a round spring from
whose green-blue depths constant streams of silver bubbles rose to
the surface. Little green frogs swam in the water and numbers of
scarlet dragon-flies hovered over it. The walls of the summer-house
were hung with gaily striped Tripoli blankets—vermilion, white and
green—the floor was covered with beautiful old Persian carpets,
and cushions were ranged round the sides. Through the open ends of
the building I saw long vistas of palm trunks, and the sun caught the
scarlet blossoms of the pomegranates and the shining, purple grapes
on their trellis frames. The air was heavy with the scent of orange
blossom and “tamar-el-hindi,” and the deep shade inside the hut was
a welcome relief. Outside the white-robed servants hurried to and fro,
carrying baskets and dishes, while two boys, in the distance, sang
curious Siwan songs, answering each other back as they swung to and
fro high up on two palm trees. Sheikh Thomi, with much whispering and
smiling, went outside. I leant back on my cushions lulled by “the
liquid lapse of murmuring streams,” thinking how absolutely Eastern
the whole scene was.
Suddenly—to my horror—I heard a hideous grinding sound and a
shrill, raucous voice with a pronounced American accent began singing,
“Waiting for the Robert E. Lee,” a tune which I always object
to. It was a gramophone, very old and decrepit, the most prized
possession of Sheikh Thomi. I tried to look as if I enjoyed the
tune, which was played over and over again for about half an hour,
and followed by some slightly less repulsive records of native music.
After listening to this musical interlude a servant brought in a bunch
of pink and white sweetly scented China roses which were distributed
among the guests, and then the meal began. A dozen boys served as
waiters, carrying the dishes from an open-air fire round the corner
where several cooks presided over the food. At first it was suggested
that I should eat alone, in solitary state, but I protested, so Sheikh
Thomi and three others ate with me, while the rest of the guests
retired outside to eat later, probably with more ease in my absence. We
sat cross-legged on the ground, a position that without considerable
practice causes the most agonising “pins and needles.” The meal
was eaten almost in silence, broken only by the noisy sounds of eating.
Public-domain text, read in full here on John Shaqi.
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