Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
General
Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
The meaning of this word has completely changed.
24. =strook.= Caused to sound as on a stringed instrument. Compare Dryden
in "Alexander's Feast":
"Now strike the golden lyre again."
25. =noise.= A company of musicians under a leader. Used in this sense by
both Shakespeare and Ben Jonson.
26. =close.= Cadence. See Dryden, "Fables":
"At every _close_ she made, th' attending throng
Replied, and bore the burden of the song."
27. =hollow round.= The sphere in which the moon has its motion. See notes
9 and 34.
=Cynthia.= The moon. In the ancient mythology applied to Artemis, from
Mount Cynthus in the island of Delos, her birthplace.
28. =its.= In all his poetry, Milton uses this word only three times. The
other examples are in "Paradise Lost," I, 254, and IV, 814. This
possessive form of the pronoun it was never used until the time of
Shakespeare, who employs it five times in "A Winter's Tale," and once in
"Measure for Measure"; it does not occur anywhere in the authorized
version of the Bible.
29. Why are the Cherubim "helmed," while the Seraphim are "sworded"?
Addison says, "Some of the rabbins tell us that the cherubims are a set
of angels who know most, and the seraphims a set of angels who love
most." Observe that the plural of cherub or of seraph may be formed in
three ways: viz. cherubs, cherubim, cherubims; seraphs, seraphim,
seraphims.
30. =unexpressive.= Inexpressible. See Shakespeare, "As You Like It":
"The fair, the chaste, the unexpressive she."
Also Milton, "Lycidas," 176:
"And hears the unexpressive nuptiall song."
31. =the sons of Morning sung.= See Job xxxviii. 4-7, the oldest reference
to the "music of the spheres." See note 34, below.
32. =hinges.= Literally, a hinge is anything for hanging something upon.
From A.-S. _hangian_.
33. =weltring.= Rolling, wallowing. See "Lycidas," 13.
34. =Ring out.= An allusion to the music of the spheres. See note 27,
above. The theory of Pythagoras was that the distances between the
heavenly bodies were determined by the laws of musical concord. "These
orbs in their motion could not but produce a certain sound or note,
depending upon their distances and velocities; and as these were
regulated by harmonic laws, they necessarily formed as a whole a
complete musical scale." "In the whorl of the distaff of necessity there
are eight concentric whorls. These whorls represent respectively the sun
and moon, the five planets, and the fixed stars. On each whorl sits a
siren singing. Their eight tones make one exquisite harmony." Milton
added a ninth whorl,--"that swift nocturnal and diurnal rhomb,"--and
then spoke of the "ninefold harmony," as just below. This was a favorite
idea with the poets.
"Sure she was nigher to heaven's spheres,
Listening the lordly music flowing from
The illimitable years."
--_Tennyson_, _Ode to Memory_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account